Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi

Representations of women, Islam, and colonial discourses appear in the Ratu yang Bersujud (2013). The novel is a counter discourse towards the representation of women and Islam in global discourse. The main problem of this research is the representation of Islam and women towards the Western world w...

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Autores principales:	Dwi Susanto, Rianna Wati, Afnan Arummi
Formato:	article
Lenguaje:	EN ID
Publicado:	Magister Pendidikan Bahasa dan Sastra Indonesia, Universitas Mulawarman 2021
Materias:	literature women islam colonial discourse Language and Literature P
Acceso en línea:	https://doaj.org/article/3db70c3ff7954c31821ba899aa078473
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id	oai:doaj.org-article:3db70c3ff7954c31821ba899aa078473
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spelling	oai:doaj.org-article:3db70c3ff7954c31821ba899aa0784732021-11-13T04:54:23ZPerempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi2615-725X2615-865510.30872/diglosia.v4i4.278https://doaj.org/article/3db70c3ff7954c31821ba899aa0784732021-11-01T00:00:00Zhttp://diglosiaunmul.com/index.php/diglosia/article/view/278https://doaj.org/toc/2615-725Xhttps://doaj.org/toc/2615-8655Representations of women, Islam, and colonial discourses appear in the Ratu yang Bersujud (2013). The novel is a counter discourse towards the representation of women and Islam in global discourse. The main problem of this research is the representation of Islam and women towards the Western world within the perspective of the author's subject. The purpose is to show the representation of Islam and women according to the author's subject view. This research uses a post-colonial perspective, especially the way colonized subjects present re-representation or overwriting. The objects are the Ratu yang Bersujud (2013) and the views of colonized subjects on the representation of Islamic identity (women and Islam). This research data consists of text narrative structure, thematic ideas of the text, social context of the author or colonized society, and discourse of modern colonialism. The result of the research is that the author's subject carries out a deconstruction that leads to the defense or resistance to the image or representation of Islam and women in the global discourse. However, it is trapped in ambiguity, which is trapped in colonial discourse and does not voice women in Islam but Islamic identity in the perspective of the patriarchal subject. It is proven as a representation of women as objects of misfortune.Dwi SusantoRianna WatiAfnan ArummiMagister Pendidikan Bahasa dan Sastra Indonesia, Universitas Mulawarmanarticleliteraturewomenislamcolonial discourseLanguage and LiteraturePENIDDiglosia, Vol 4, Iss 4, Pp 529-542 (2021)
institution	DOAJ
collection	DOAJ
language	EN ID
topic	literature women islam colonial discourse Language and Literature P
spellingShingle	literature women islam colonial discourse Language and Literature P Dwi Susanto Rianna Wati Afnan Arummi Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi
description	Representations of women, Islam, and colonial discourses appear in the Ratu yang Bersujud (2013). The novel is a counter discourse towards the representation of women and Islam in global discourse. The main problem of this research is the representation of Islam and women towards the Western world within the perspective of the author's subject. The purpose is to show the representation of Islam and women according to the author's subject view. This research uses a post-colonial perspective, especially the way colonized subjects present re-representation or overwriting. The objects are the Ratu yang Bersujud (2013) and the views of colonized subjects on the representation of Islamic identity (women and Islam). This research data consists of text narrative structure, thematic ideas of the text, social context of the author or colonized society, and discourse of modern colonialism. The result of the research is that the author's subject carries out a deconstruction that leads to the defense or resistance to the image or representation of Islam and women in the global discourse. However, it is trapped in ambiguity, which is trapped in colonial discourse and does not voice women in Islam but Islamic identity in the perspective of the patriarchal subject. It is proven as a representation of women as objects of misfortune.
format	article
author	Dwi Susanto Rianna Wati Afnan Arummi
author_facet	Dwi Susanto Rianna Wati Afnan Arummi
author_sort	Dwi Susanto
title	Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi
title_short	Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi
title_full	Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi
title_fullStr	Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi
title_full_unstemmed	Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi
title_sort	perempuan, islam, dan wacana kolonial: pembacaan pascakolonial terhadap novel ratu yang bersujud (2013) karya mahdavi
publisher	Magister Pendidikan Bahasa dan Sastra Indonesia, Universitas Mulawarman
publishDate	2021
url	https://doaj.org/article/3db70c3ff7954c31821ba899aa078473
work_keys_str_mv	AT dwisusanto perempuanislamdanwacanakolonialpembacaanpascakolonialterhadapnovelratuyangbersujud2013karyamahdavi AT riannawati perempuanislamdanwacanakolonialpembacaanpascakolonialterhadapnovelratuyangbersujud2013karyamahdavi AT afnanarummi perempuanislamdanwacanakolonialpembacaanpascakolonialterhadapnovelratuyangbersujud2013karyamahdavi
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Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi

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