Ônibus 174: um olhar sobre a violência urbana e a exclusão social

This article aims to analyze the film Ônibus Linha 174 (José Padilha, 2002) as another interpretation of the episode narrated and commented based on a variety of texts. The film is a documentary, which was produced by Jose Padilha (also director) and Marcos Prado, photography by Cesar Morales and Ma...

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Autor principal:	Joana Maria Eleutério
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2011
Materias:	education and literacy violence exclusion prejudice and social visibility criminality and urban tragedy Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/3f61121e2d52490f82e6b03cfbe23acf
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id	oai:doaj.org-article:3f61121e2d52490f82e6b03cfbe23acf
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spelling	oai:doaj.org-article:3f61121e2d52490f82e6b03cfbe23acf2021-11-11T15:41:58ZÔnibus 174: um olhar sobre a violência urbana e a exclusão social2177-6229https://doaj.org/article/3f61121e2d52490f82e6b03cfbe23acf2011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93820782006https://doaj.org/toc/2177-6229This article aims to analyze the film Ônibus Linha 174 (José Padilha, 2002) as another interpretation of the episode narrated and commented based on a variety of texts. The film is a documentary, which was produced by Jose Padilha (also director) and Marcos Prado, photography by Cesar Morales and Marcelo Guru and editing by Felipe Lacerda. The film focuses on urban violence, but this article discusses other issues, avoiding the repetition of what has already been said by great experts and even ordinary citizens. This film, the foundation of my research, is the guideline to the reflection that I propose, since the focus of my analysis the main character of two parallel stories narrated in the film: the young Sandro Rosa do Nascimento, who becomes an archetypal figure in the social context of stories, scenarios and the testimonies shown by Padilha. As the discussion progresses, another important character for the analysis emerges: Sandra Mara Herzer (1962-1982), a young woman whose life trajectory allows me to compare the two aiming to understand how these two characters who report a serious context that causes the multiplication of a series of other stories similar to theirs. It is unquestionable that, although both have achieved international visibility, there is a multitude of invisible Sandros and Sandras, living in the streets and "caregivens" institutions for children, going through the same stages of this monstrous metamorphosis that led them desperation in the final scene of their short lives.Joana Maria EleutérioUniversidade do Vale do Rio dos Sinos (UNISINOS)articleeducation and literacyviolenceexclusionprejudice and social visibilitycriminality and urban tragedySocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 47, Iss 2, Pp 153-164 (2011)
institution	DOAJ
collection	DOAJ
language	PT
topic	education and literacy violence exclusion prejudice and social visibility criminality and urban tragedy Social Sciences H Social sciences (General) H1-99
spellingShingle	education and literacy violence exclusion prejudice and social visibility criminality and urban tragedy Social Sciences H Social sciences (General) H1-99 Joana Maria Eleutério Ônibus 174: um olhar sobre a violência urbana e a exclusão social
description	This article aims to analyze the film Ônibus Linha 174 (José Padilha, 2002) as another interpretation of the episode narrated and commented based on a variety of texts. The film is a documentary, which was produced by Jose Padilha (also director) and Marcos Prado, photography by Cesar Morales and Marcelo Guru and editing by Felipe Lacerda. The film focuses on urban violence, but this article discusses other issues, avoiding the repetition of what has already been said by great experts and even ordinary citizens. This film, the foundation of my research, is the guideline to the reflection that I propose, since the focus of my analysis the main character of two parallel stories narrated in the film: the young Sandro Rosa do Nascimento, who becomes an archetypal figure in the social context of stories, scenarios and the testimonies shown by Padilha. As the discussion progresses, another important character for the analysis emerges: Sandra Mara Herzer (1962-1982), a young woman whose life trajectory allows me to compare the two aiming to understand how these two characters who report a serious context that causes the multiplication of a series of other stories similar to theirs. It is unquestionable that, although both have achieved international visibility, there is a multitude of invisible Sandros and Sandras, living in the streets and "caregivens" institutions for children, going through the same stages of this monstrous metamorphosis that led them desperation in the final scene of their short lives.
format	article
author	Joana Maria Eleutério
author_facet	Joana Maria Eleutério
author_sort	Joana Maria Eleutério
title	Ônibus 174: um olhar sobre a violência urbana e a exclusão social
title_short	Ônibus 174: um olhar sobre a violência urbana e a exclusão social
title_full	Ônibus 174: um olhar sobre a violência urbana e a exclusão social
title_fullStr	Ônibus 174: um olhar sobre a violência urbana e a exclusão social
title_full_unstemmed	Ônibus 174: um olhar sobre a violência urbana e a exclusão social
title_sort	ônibus 174: um olhar sobre a violência urbana e a exclusão social
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2011
url	https://doaj.org/article/3f61121e2d52490f82e6b03cfbe23acf
work_keys_str_mv	AT joanamariaeleuterio onibus174umolharsobreaviolenciaurbanaeaexclusaosocial
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Ônibus 174: um olhar sobre a violência urbana e a exclusão social

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