Precision Lost Wax Casting
The limits of precision casting were explored experimentally at the Bronze Casting Workshop at Wilhelminaoord, the Netherlands, by making wax models, moulds and lost wax castings using essentially early metalworking conditions. Geometrically patterned models of Dark Age type dies were used to make w...
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EXARC
2012
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oai:doaj.org-article:400c0e5757284a0190f897ef3aac492f2021-12-01T14:42:30ZPrecision Lost Wax Casting2212-8956https://doaj.org/article/400c0e5757284a0190f897ef3aac492f2012-09-01T00:00:00Zhttps://exarc.net/ark:/88735/10078https://doaj.org/toc/2212-8956The limits of precision casting were explored experimentally at the Bronze Casting Workshop at Wilhelminaoord, the Netherlands, by making wax models, moulds and lost wax castings using essentially early metalworking conditions. Geometrically patterned models of Dark Age type dies were used to make wax patterns to simulate one of the finest detailed objects to come from excavation, the Tjitsma die. Examination of mould surfaces and castings by scanning electron microscopy showed that the limiting surface resolution of lost wax casting in bronze was the finely textured dendritic cast surface. The mould surfaces had taken the geometric pattern of the original wax models very well, although there is a fine particulate texture to the mould surface, but this is far finer than the limiting dendritic surfaces of the cast bronze.Nigel MeeksCaroline TulpAnders SöderbergEXARCarticlegoldbronzejewellerycastingearly middle agesswedenthe netherlandsunited kingdomMuseums. Collectors and collectingAM1-501ArchaeologyCC1-960ENEXARC Journal, Iss 2012/3 (2012) |
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gold bronze jewellery casting early middle ages sweden the netherlands united kingdom Museums. Collectors and collecting AM1-501 Archaeology CC1-960 |
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gold bronze jewellery casting early middle ages sweden the netherlands united kingdom Museums. Collectors and collecting AM1-501 Archaeology CC1-960 Nigel Meeks Caroline Tulp Anders Söderberg Precision Lost Wax Casting |
description |
The limits of precision casting were explored experimentally at the Bronze Casting Workshop at Wilhelminaoord, the Netherlands, by making wax models, moulds and lost wax castings using essentially early metalworking conditions. Geometrically patterned models of Dark Age type dies were used to make wax patterns to simulate one of the finest detailed objects to come from excavation, the Tjitsma die. Examination of mould surfaces and castings by scanning electron microscopy showed that the limiting surface resolution of lost wax casting in bronze was the finely textured dendritic cast surface. The mould surfaces had taken the geometric pattern of the original wax models very well, although there is a fine particulate texture to the mould surface, but this is far finer than the limiting dendritic surfaces of the cast bronze. |
format |
article |
author |
Nigel Meeks Caroline Tulp Anders Söderberg |
author_facet |
Nigel Meeks Caroline Tulp Anders Söderberg |
author_sort |
Nigel Meeks |
title |
Precision Lost Wax Casting |
title_short |
Precision Lost Wax Casting |
title_full |
Precision Lost Wax Casting |
title_fullStr |
Precision Lost Wax Casting |
title_full_unstemmed |
Precision Lost Wax Casting |
title_sort |
precision lost wax casting |
publisher |
EXARC |
publishDate |
2012 |
url |
https://doaj.org/article/400c0e5757284a0190f897ef3aac492f |
work_keys_str_mv |
AT nigelmeeks precisionlostwaxcasting AT carolinetulp precisionlostwaxcasting AT anderssoderberg precisionlostwaxcasting |
_version_ |
1718404986703970304 |