(DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE.
This paper suggests disrupting north-normative thought in Italian Studies by recovering the various Souths haunting and inhabiting white template vision. I do this by disclosing the fleshy folds of John Turturro’s complex audio-visual work Passione: Un’Avventura Musicale (2010), which draws on a bro...
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oai:doaj.org-article:411bf51edf0c453cb5ca8dc65a9953e52021-11-21T01:30:31Z(DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE.https://doi.org/10.29327/216344.5.2-61807-18562525-5924https://doaj.org/article/411bf51edf0c453cb5ca8dc65a9953e52017-12-01T00:00:00Zhttps://periodicos.ufac.br/index.php/mui/article/view/1572https://doaj.org/toc/1807-1856https://doaj.org/toc/2525-5924This paper suggests disrupting north-normative thought in Italian Studies by recovering the various Souths haunting and inhabiting white template vision. I do this by disclosing the fleshy folds of John Turturro’s complex audio-visual work Passione: Un’Avventura Musicale (2010), which draws on a broad assemblage of Neapolitan music and theatricalities. Having previously navigated away from Guillaume Bernardi’s reading of Passione’s sixteen linear sequences (2015; CAPOGRECO & MESSINA, 2016), I rhizomatically pieced together (MARKS, 2000) non-linear sequences of sotto/terrone’dvisionaround motifs of “the Sea” and “dirtied mirrors”. Here I articulate how Passione’s “fucked ones” who dare to hold up a mirror to their own dirtied reflections (ANZALDÚA, 1987, p. 10) function as “out of focus maps” disorienting the (caucacentric, male) template body (PUGLIESE, 2005). Further, I re-envision Passione’s “James Senese Sequence” (BERNARDI, 2015, p. 120) as sotto/terrone’dclimax of “racial bits” haunting Italian/North American templates.Stefania CapogrecoNepan editorarticledecolonisationde-linkingmediterraneitysouthernnessHistory of scholarship and learning. The humanitiesAZ20-999ENESPTMuiraquitã, Vol 5, Iss 2, Pp 143-166 (2017) |
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decolonisation de-linking mediterraneity southernness History of scholarship and learning. The humanities AZ20-999 |
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decolonisation de-linking mediterraneity southernness History of scholarship and learning. The humanities AZ20-999 Stefania Capogreco (DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE. |
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This paper suggests disrupting north-normative thought in Italian Studies by recovering the various Souths haunting and inhabiting white template vision. I do this by disclosing the fleshy folds of John Turturro’s complex audio-visual work Passione: Un’Avventura Musicale (2010), which draws on a broad assemblage of Neapolitan music and theatricalities. Having previously navigated away from Guillaume Bernardi’s reading of Passione’s sixteen linear sequences (2015; CAPOGRECO & MESSINA, 2016), I rhizomatically pieced together (MARKS, 2000) non-linear sequences of sotto/terrone’dvisionaround motifs of “the Sea” and “dirtied mirrors”. Here I articulate how Passione’s “fucked ones” who dare to hold up a mirror to their own dirtied reflections (ANZALDÚA, 1987, p. 10) function as “out of focus maps” disorienting the (caucacentric, male) template body (PUGLIESE, 2005). Further, I re-envision Passione’s “James Senese Sequence” (BERNARDI, 2015, p. 120) as sotto/terrone’dclimax of “racial bits” haunting Italian/North American templates. |
format |
article |
author |
Stefania Capogreco |
author_facet |
Stefania Capogreco |
author_sort |
Stefania Capogreco |
title |
(DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE. |
title_short |
(DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE. |
title_full |
(DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE. |
title_fullStr |
(DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE. |
title_full_unstemmed |
(DIS)FIGURING WHITE TEMPLATE VISION THROUGH PASSIONE: UN’AVVENTURA MUSICALE. |
title_sort |
(dis)figuring white template vision through passione: un’avventura musicale. |
publisher |
Nepan editor |
publishDate |
2017 |
url |
https://doi.org/10.29327/216344.5.2-6 https://doaj.org/article/411bf51edf0c453cb5ca8dc65a9953e5 |
work_keys_str_mv |
AT stefaniacapogreco disfiguringwhitetemplatevisionthroughpassioneunavventuramusicale |
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1718419360109821952 |