Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts

The question about the difference (or the absence of it) between Dostoevsky’s early texts and the works composed after the penal labors have been raised repeatedly. The article proposes a possible explanation of it. The hypothesis here presented and exemplified through the analysis of the novel Neto...

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Autor principal:	Tatiana A. Kasatkina
Formato:	article
Lenguaje:	EN RU
Publicado:	Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2020
Materias:	dostoevsky early works gnosticism image structure anagogic story netochka nezvanova white nights the landlady “a weak hearth” Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/416eda759f8e48dbba168e183108a7f7
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id	oai:doaj.org-article:416eda759f8e48dbba168e183108a7f7
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spelling	oai:doaj.org-article:416eda759f8e48dbba168e183108a7f72021-12-02T18:43:51ZAnagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts10.22455/2619-0311-2020-2-95-1152619-03112712-8512https://doaj.org/article/416eda759f8e48dbba168e183108a7f72020-06-01T00:00:00Zhttp://dostmirkult.ru/images/2020-2/DOST_2020-210-internOK-pagine-97-117.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512The question about the difference (or the absence of it) between Dostoevsky’s early texts and the works composed after the penal labors have been raised repeatedly. The article proposes a possible explanation of it. The hypothesis here presented and exemplified through the analysis of the novel Netochka Nezvanova should be considered mainly as an invitation to discussion, more than the proposal of a final answer to the problem. The article suggests that we should look for the difference between earlier and later works within the level on which Dostoevsky assembles the material as a coherent storyline. While later works show coherency on an external plot level and reach the deep level of the text by connecting different scenes to episodes of the Sacred History; early works are connotated by extremely incoherent plots, which provoked (and provokes nowadays) many complaints about Dostoevsky’ authorial skills: in fact, the coherent history takes place within a deeper, being-related perspective, while the incoherent episodes of the outer tale are no more than a manifestation on an existential level of the inner “anagogic” story.Tatiana A. KasatkinaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticledostoevskyearly worksgnosticismimage structureanagogic storynetochka nezvanovawhite nightsthe landlady“a weak hearth”Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 2, Pp 95-115 (2020)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	dostoevsky early works gnosticism image structure anagogic story netochka nezvanova white nights the landlady “a weak hearth” Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	dostoevsky early works gnosticism image structure anagogic story netochka nezvanova white nights the landlady “a weak hearth” Slavic languages. Baltic languages. Albanian languages PG1-9665 Tatiana A. Kasatkina Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts
description	The question about the difference (or the absence of it) between Dostoevsky’s early texts and the works composed after the penal labors have been raised repeatedly. The article proposes a possible explanation of it. The hypothesis here presented and exemplified through the analysis of the novel Netochka Nezvanova should be considered mainly as an invitation to discussion, more than the proposal of a final answer to the problem. The article suggests that we should look for the difference between earlier and later works within the level on which Dostoevsky assembles the material as a coherent storyline. While later works show coherency on an external plot level and reach the deep level of the text by connecting different scenes to episodes of the Sacred History; early works are connotated by extremely incoherent plots, which provoked (and provokes nowadays) many complaints about Dostoevsky’ authorial skills: in fact, the coherent history takes place within a deeper, being-related perspective, while the incoherent episodes of the outer tale are no more than a manifestation on an existential level of the inner “anagogic” story.
format	article
author	Tatiana A. Kasatkina
author_facet	Tatiana A. Kasatkina
author_sort	Tatiana A. Kasatkina
title	Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts
title_short	Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts
title_full	Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts
title_fullStr	Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts
title_full_unstemmed	Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts
title_sort	anagogic story as the specific structure of dostoevsky’s early “gnostic” texts
publisher	Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate	2020
url	https://doaj.org/article/416eda759f8e48dbba168e183108a7f7
work_keys_str_mv	AT tatianaakasatkina anagogicstoryasthespecificstructureofdostoevskysearlygnostictexts
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Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts

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