Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation

Following the interdisciplinary approach, the article presents the translator’s role from the point of view musical terminology, which becomes appropriated for the sake of translation studies. As a result, the study applies the musical term aleatory music denoting an indeterminate type of musical n...

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Autor principal:	Łukasz Barciński
Formato:	article
Lenguaje:	EN FR PL
Publicado:	Ksiegarnia Akademicka Publishing 2018
Materias:	aleatory ontological dominant experimental fiction literary translation Translating and interpreting P306-310
Acceso en línea:	https://doaj.org/article/42ac277f7847481dac3a6a52bd76845e
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spelling	oai:doaj.org-article:42ac277f7847481dac3a6a52bd76845e2021-11-27T13:05:20ZTrans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation10.12797/MOaP.24.2018.41.021689-91212391-6745https://doaj.org/article/42ac277f7847481dac3a6a52bd76845e2018-09-01T00:00:00Zhttps://journals.akademicka.pl/moap/article/view/222https://doaj.org/toc/1689-9121https://doaj.org/toc/2391-6745 Following the interdisciplinary approach, the article presents the translator’s role from the point of view musical terminology, which becomes appropriated for the sake of translation studies. As a result, the study applies the musical term aleatory music denoting an indeterminate type of musical notation which allows considerable freedom in the interpretation of a musical score. From this perspective, the translator, confronted with the inevitable interpretative gaps and indeterminacies in the source text, is compared to a musical performer who interprets the indeterminate aleatory notation. This approach is defined as trans(a)l(e)atory studies which consist in the analysis of multiple interpretative possibilities of target text versions based on one source text. The prominent example of the performative aspect of the translation process defined in this way is Finnegans Wake by James Joyce, the Polish translation of which (Finneganów Tren by rendered by Krzysztof Bartnicki) is analysed. The comparative study focuses on indeterminate aspects of language such as puns, neologisms (including portmanteau words), iconicity, blends and the superimposition of languages. Łukasz BarcińskiKsiegarnia Akademicka Publishingarticlealeatoryontological dominantexperimental fictionliterary translationTranslating and interpretingP306-310ENFRPLMiędzy Oryginałem a Przekładem, Vol 24, Iss 3 (41) (2018)
institution	DOAJ
collection	DOAJ
language	EN FR PL
topic	aleatory ontological dominant experimental fiction literary translation Translating and interpreting P306-310
spellingShingle	aleatory ontological dominant experimental fiction literary translation Translating and interpreting P306-310 Łukasz Barciński Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation
description	Following the interdisciplinary approach, the article presents the translator’s role from the point of view musical terminology, which becomes appropriated for the sake of translation studies. As a result, the study applies the musical term aleatory music denoting an indeterminate type of musical notation which allows considerable freedom in the interpretation of a musical score. From this perspective, the translator, confronted with the inevitable interpretative gaps and indeterminacies in the source text, is compared to a musical performer who interprets the indeterminate aleatory notation. This approach is defined as trans(a)l(e)atory studies which consist in the analysis of multiple interpretative possibilities of target text versions based on one source text. The prominent example of the performative aspect of the translation process defined in this way is Finnegans Wake by James Joyce, the Polish translation of which (Finneganów Tren by rendered by Krzysztof Bartnicki) is analysed. The comparative study focuses on indeterminate aspects of language such as puns, neologisms (including portmanteau words), iconicity, blends and the superimposition of languages.
format	article
author	Łukasz Barciński
author_facet	Łukasz Barciński
author_sort	Łukasz Barciński
title	Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation
title_short	Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation
title_full	Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation
title_fullStr	Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation
title_full_unstemmed	Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation
title_sort	trans(a)l(e)atory studies or the translator as a performer: "finnegans wake" by james joyce in polish translation
publisher	Ksiegarnia Akademicka Publishing
publishDate	2018
url	https://doaj.org/article/42ac277f7847481dac3a6a52bd76845e
work_keys_str_mv	AT łukaszbarcinski transaleatorystudiesorthetranslatorasaperformerfinneganswakebyjamesjoyceinpolishtranslation
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Trans(a)l(e)atory Studies or the Translator as a Performer: "Finnegans Wake" by James Joyce in Polish Translation

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