BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA

BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA

Dalem Kusumayudhan is a part of the Sahid Kusuma Hotel in Surakarta, and was formerly the residence of Kanjeng Gusti Pangeran Harya Kusumayudha, son of Paku  Buwana X.   It has changed ownership several times and been renovated on a number of occasions.  The last renovation being in the middle o...

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Autor principal: Eko Sri Haryanto
Formato: article
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Publicado: Institut Seni Indonesia Surakarta 2016
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Fine Arts
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Acceso en línea:https://doaj.org/article/436a9c0993484fcdb0b32b218c791606
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spelling oai:doaj.org-article:436a9c0993484fcdb0b32b218c7916062021-11-26T03:25:50ZBENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA1412-41812685-287X10.33153/dewaruci.v5i3.811https://doaj.org/article/436a9c0993484fcdb0b32b218c7916062016-01-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/811https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XDalem Kusumayudhan is a part of the Sahid Kusuma Hotel in Surakarta, and was formerly the residence of Kanjeng Gusti Pangeran Harya Kusumayudha, son of Paku  Buwana X.   It has changed ownership several times and been renovated on a number of occasions.  The last renovation being in the middle of 2008, as part of the owner’s strategy to attract more tourists to visit and stay in the Sahid Kusuma Hotel. The aim of this research is to discover the style and structure of the ornament variations of the singep tumpangsari in the Sahid Kusuma Hotel, and also the philosophical meaning contained in these ornaments, in relation to the culture of the  surrounding community.   It is hoped that the results of this research will be beneficial  for current efforts to preserve and encourage the use of traditional Javanese ornament  variations on buildings today.   The process for collecting and analyzing data and  information uses a qualitative research method.   The descrip- tion of the style,  structure, and the meaning of the ornament variations uses Gadamer’s hermeneutic  phenomenological approach. In general, the structure of the ornament variations on the object of the research complies with the structural norms of the fine arts discipline, namely: unity, pres- sure, and balance.  It is hoped that the discovery of the meaning of these ornament variations will enable others to benefit from the philosophical values contained in the ornament variations in the Sahid Kusuma Hotel, namely: leadership, superior- ity, determination,  strength, and the essence of discovering the meaning of a per- fect life.Eko Sri HaryantoInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 5, Iss 3 (2016)
institution DOAJ
collection DOAJ
language ID
topic Fine Arts
N
spellingShingle Fine Arts
N
Eko Sri Haryanto
BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA
description Dalem Kusumayudhan is a part of the Sahid Kusuma Hotel in Surakarta, and was formerly the residence of Kanjeng Gusti Pangeran Harya Kusumayudha, son of Paku  Buwana X.   It has changed ownership several times and been renovated on a number of occasions.  The last renovation being in the middle of 2008, as part of the owner’s strategy to attract more tourists to visit and stay in the Sahid Kusuma Hotel. The aim of this research is to discover the style and structure of the ornament variations of the singep tumpangsari in the Sahid Kusuma Hotel, and also the philosophical meaning contained in these ornaments, in relation to the culture of the  surrounding community.   It is hoped that the results of this research will be beneficial  for current efforts to preserve and encourage the use of traditional Javanese ornament  variations on buildings today.   The process for collecting and analyzing data and  information uses a qualitative research method.   The descrip- tion of the style,  structure, and the meaning of the ornament variations uses Gadamer’s hermeneutic  phenomenological approach. In general, the structure of the ornament variations on the object of the research complies with the structural norms of the fine arts discipline, namely: unity, pres- sure, and balance.  It is hoped that the discovery of the meaning of these ornament variations will enable others to benefit from the philosophical values contained in the ornament variations in the Sahid Kusuma Hotel, namely: leadership, superior- ity, determination,  strength, and the essence of discovering the meaning of a per- fect life.
format article
author Eko Sri Haryanto
author_facet Eko Sri Haryanto
author_sort Eko Sri Haryanto
title BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA
title_short BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA
title_full BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA
title_fullStr BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA
title_full_unstemmed BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA
title_sort bentuk, struktur dan makna ragam hias hotel sahid kusuma
publisher Institut Seni Indonesia Surakarta
publishDate 2016
url https://doaj.org/article/436a9c0993484fcdb0b32b218c791606
work_keys_str_mv AT ekosriharyanto bentukstrukturdanmaknaragamhiashotelsahidkusuma
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