The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron

Aesthetics is an observation of beauty, values, and judgments that view human works from the perspective of whether they are beautiful and not—Serat Sri Karongron by R. Ng. Purbadipura was written during the reign of Paku Buwana X, releasing a pulse of musical life in the Surakarta Palace, which imp...

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Autores principales:	Joko Daryanto, Rustopo Rustopo, Bambang Sunarto
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2020
Materias:	aesthetic of karawitan sri karongron seger sumyah Fine Arts N
Acceso en línea:	https://doaj.org/article/43a327e708004b759ea7d9b87c165980
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spelling	oai:doaj.org-article:43a327e708004b759ea7d9b87c1659802021-11-26T03:24:11ZThe Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron1412-41812685-287X10.33153/dewaruci.v15i1.2766https://doaj.org/article/43a327e708004b759ea7d9b87c1659802020-09-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/2766https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XAesthetics is an observation of beauty, values, and judgments that view human works from the perspective of whether they are beautiful and not—Serat Sri Karongron by R. Ng. Purbadipura was written during the reign of Paku Buwana X, releasing a pulse of musical life in the Surakarta Palace, which implies the artistic content of the Surakarta Palace’s karawitan. Serat Sri Karongron explicitly mentions the atmosphere of the Seger sumyah karawitan feeling. The phrase Seger sumyah can be interpreted as something that can make someone feel happy because Seger sumyah refers to an excellent or delicious taste. Purbadipura notes that Seger sumyah refers to the gobyog karawitan presentation at the Surakarta Palace. On the other hand, Purbadipura reported that the gobyog karawitan presentation still refers to the karawitan presentation with three parameters of tan sora swaranira, rampak-rempeg, and sajanturing ringgit. The aesthetics of the Seger sumyah karawitan, which refers to karawitan composition with the nuances of gobyog, had a chance to live and develop during the reign of Paku Buwana X.Joko DaryantoRustopo RustopoBambang SunartoInstitut Seni Indonesia Surakartaarticleaesthetic of karawitansri karongronseger sumyahFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 15, Iss 1, Pp 1-5 (2020)
institution	DOAJ
collection	DOAJ
language	ID
topic	aesthetic of karawitan sri karongron seger sumyah Fine Arts N
spellingShingle	aesthetic of karawitan sri karongron seger sumyah Fine Arts N Joko Daryanto Rustopo Rustopo Bambang Sunarto The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron
description	Aesthetics is an observation of beauty, values, and judgments that view human works from the perspective of whether they are beautiful and not—Serat Sri Karongron by R. Ng. Purbadipura was written during the reign of Paku Buwana X, releasing a pulse of musical life in the Surakarta Palace, which implies the artistic content of the Surakarta Palace’s karawitan. Serat Sri Karongron explicitly mentions the atmosphere of the Seger sumyah karawitan feeling. The phrase Seger sumyah can be interpreted as something that can make someone feel happy because Seger sumyah refers to an excellent or delicious taste. Purbadipura notes that Seger sumyah refers to the gobyog karawitan presentation at the Surakarta Palace. On the other hand, Purbadipura reported that the gobyog karawitan presentation still refers to the karawitan presentation with three parameters of tan sora swaranira, rampak-rempeg, and sajanturing ringgit. The aesthetics of the Seger sumyah karawitan, which refers to karawitan composition with the nuances of gobyog, had a chance to live and develop during the reign of Paku Buwana X.
format	article
author	Joko Daryanto Rustopo Rustopo Bambang Sunarto
author_facet	Joko Daryanto Rustopo Rustopo Bambang Sunarto
author_sort	Joko Daryanto
title	The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron
title_short	The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron
title_full	The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron
title_fullStr	The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron
title_full_unstemmed	The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron
title_sort	aesthetics of surakarta palace’s karawitan according to serat sri karongron
publisher	Institut Seni Indonesia Surakarta
publishDate	2020
url	https://doaj.org/article/43a327e708004b759ea7d9b87c165980
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The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron

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