EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING

The idea of reading and reading text is a complementary element between the viewer and the work. Criticism is to convince the viewer and to invite them to contradiction as well as to open themselves to debate. The work of art criticism consists of a detailed examination and evaluation process in ter...

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Autor principal:	Emrah UYSAL
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	willem de kooning art criticism abstract expressionism abstraction women Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/44a2b4ae4f45422ebfcff7863b9e0d49
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id	oai:doaj.org-article:44a2b4ae4f45422ebfcff7863b9e0d49
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spelling	oai:doaj.org-article:44a2b4ae4f45422ebfcff7863b9e0d492021-11-24T09:20:39ZEXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING2148-416310.9761/JASSS7859https://doaj.org/article/44a2b4ae4f45422ebfcff7863b9e0d492019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1170493223_18-Do%C3%A7.Dr.%20Arzu%20Uysal%2C%20Do%C3%A7.Dr.%20Emrah%20Uysal.pdf&key=28958https://doaj.org/toc/2148-4163The idea of reading and reading text is a complementary element between the viewer and the work. Criticism is to convince the viewer and to invite them to contradiction as well as to open themselves to debate. The work of art criticism consists of a detailed examination and evaluation process in terms of form, content and meaning. In this study, Edmund Burke Feldman's (Criticism of Investigating Art ist (Feldman, 1987) was used in the study. In order to understand and make sense of the message conveyed by the work, the artist and his work are asked to ask a number of questions, depicting, analyzing, interpreting and judging the stages. While trying to define the images in the artwork during the description phase, plastic indicators are tried to be discussed in the analysis and in the step of interpretation, the messages of figurative elements in dynamic and abstract relations network which contain deep meanings are tried to be reached. In the course of the interpretation of Kooning's work, information on the artistic personality of the artist was also included. In the judicial step; the importance of art in terms of art history is mentioned. In addition, this research deals with Kooning's art as a psychological process, but it also aims to reach the determinations about how the artist transformed the representation problem in painting into a conscious experience. His work ”Woman I” subverts the traditional thought structure of a woman's body. In fact, his spiritual experiences from his traumatic history constitute a new representation of women. Thus, with this female body, the artist creates a model that fills his soul and creates an idol that will have great effects in the history of art.Emrah UYSALFırat Universityarticlewillem de kooningart criticismabstract expressionismabstractionwomenSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 11, Iss 72, Pp 271-280 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	willem de kooning art criticism abstract expressionism abstraction women Social Sciences H Social sciences (General) H1-99
spellingShingle	willem de kooning art criticism abstract expressionism abstraction women Social Sciences H Social sciences (General) H1-99 Emrah UYSAL EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING
description	The idea of reading and reading text is a complementary element between the viewer and the work. Criticism is to convince the viewer and to invite them to contradiction as well as to open themselves to debate. The work of art criticism consists of a detailed examination and evaluation process in terms of form, content and meaning. In this study, Edmund Burke Feldman's (Criticism of Investigating Art ist (Feldman, 1987) was used in the study. In order to understand and make sense of the message conveyed by the work, the artist and his work are asked to ask a number of questions, depicting, analyzing, interpreting and judging the stages. While trying to define the images in the artwork during the description phase, plastic indicators are tried to be discussed in the analysis and in the step of interpretation, the messages of figurative elements in dynamic and abstract relations network which contain deep meanings are tried to be reached. In the course of the interpretation of Kooning's work, information on the artistic personality of the artist was also included. In the judicial step; the importance of art in terms of art history is mentioned. In addition, this research deals with Kooning's art as a psychological process, but it also aims to reach the determinations about how the artist transformed the representation problem in painting into a conscious experience. His work ”Woman I” subverts the traditional thought structure of a woman's body. In fact, his spiritual experiences from his traumatic history constitute a new representation of women. Thus, with this female body, the artist creates a model that fills his soul and creates an idol that will have great effects in the history of art.
format	article
author	Emrah UYSAL
author_facet	Emrah UYSAL
author_sort	Emrah UYSAL
title	EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING
title_short	EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING
title_full	EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING
title_fullStr	EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING
title_full_unstemmed	EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING
title_sort	expression of traumatic past in female representation in wilem de kooning’s painting
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/44a2b4ae4f45422ebfcff7863b9e0d49
work_keys_str_mv	AT emrahuysal expressionoftraumaticpastinfemalerepresentationinwilemdekooningspainting
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EXPRESSION OF TRAUMATIC PAST IN FEMALE REPRESENTATION IN WILEM DE KOONING’S PAINTING

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