SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY

The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines th...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Evgeniya I. Kuznetsova
Formato: article
Lenguaje:RU
Publicado: Plekhanov Russian University of Economics 2017
Materias:
Acceso en línea:https://doaj.org/article/44b11899edb346c1a0e5e7e2a993fc87
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
Descripción
Sumario:The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines that revolutions not only change ideology of society but transform reality. Today changes in social structure can be so fast that social technologies themselves can acquire the character of design projection. Revolution technologies work according to the principle of projecting, compiling and circulating. So we can speak about the design of revolutions. The main idea about interrelation of changes in social environment and in design is supported by examples of the history of costume as the most dynamically developing phenomenon.