SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY

The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines th...

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Autor principal: Evgeniya I. Kuznetsova
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Lenguaje:RU
Publicado: Plekhanov Russian University of Economics 2017
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Acceso en línea:https://doaj.org/article/44b11899edb346c1a0e5e7e2a993fc87
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spelling oai:doaj.org-article:44b11899edb346c1a0e5e7e2a993fc872021-11-15T05:20:44ZSOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY2413-28292587-925110.21686/2413-2829-2016-4-100-112https://doaj.org/article/44b11899edb346c1a0e5e7e2a993fc872017-09-01T00:00:00Zhttps://vest.rea.ru/jour/article/view/186https://doaj.org/toc/2413-2829https://doaj.org/toc/2587-9251The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines that revolutions not only change ideology of society but transform reality. Today changes in social structure can be so fast that social technologies themselves can acquire the character of design projection. Revolution technologies work according to the principle of projecting, compiling and circulating. So we can speak about the design of revolutions. The main idea about interrelation of changes in social environment and in design is supported by examples of the history of costume as the most dynamically developing phenomenon.Evgeniya I. KuznetsovaPlekhanov Russian University of Economicsarticledesignsociumtechnologiessubjectdesign of costumeEconomics as a scienceHB71-74RUВестник Российского экономического университета имени Г. В. Плеханова, Vol 0, Iss 4, Pp 100-112 (2017)
institution DOAJ
collection DOAJ
language RU
topic design
socium
technologies
subject
design of costume
Economics as a science
HB71-74
spellingShingle design
socium
technologies
subject
design of costume
Economics as a science
HB71-74
Evgeniya I. Kuznetsova
SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
description The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines that revolutions not only change ideology of society but transform reality. Today changes in social structure can be so fast that social technologies themselves can acquire the character of design projection. Revolution technologies work according to the principle of projecting, compiling and circulating. So we can speak about the design of revolutions. The main idea about interrelation of changes in social environment and in design is supported by examples of the history of costume as the most dynamically developing phenomenon.
format article
author Evgeniya I. Kuznetsova
author_facet Evgeniya I. Kuznetsova
author_sort Evgeniya I. Kuznetsova
title SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_short SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_full SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_fullStr SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_full_unstemmed SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_sort social technologies as a basis of designer's creativity
publisher Plekhanov Russian University of Economics
publishDate 2017
url https://doaj.org/article/44b11899edb346c1a0e5e7e2a993fc87
work_keys_str_mv AT evgeniyaikuznetsova socialtechnologiesasabasisofdesignerscreativity
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