SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines th...
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Plekhanov Russian University of Economics
2017
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oai:doaj.org-article:44b11899edb346c1a0e5e7e2a993fc872021-11-15T05:20:44ZSOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY2413-28292587-925110.21686/2413-2829-2016-4-100-112https://doaj.org/article/44b11899edb346c1a0e5e7e2a993fc872017-09-01T00:00:00Zhttps://vest.rea.ru/jour/article/view/186https://doaj.org/toc/2413-2829https://doaj.org/toc/2587-9251The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines that revolutions not only change ideology of society but transform reality. Today changes in social structure can be so fast that social technologies themselves can acquire the character of design projection. Revolution technologies work according to the principle of projecting, compiling and circulating. So we can speak about the design of revolutions. The main idea about interrelation of changes in social environment and in design is supported by examples of the history of costume as the most dynamically developing phenomenon.Evgeniya I. KuznetsovaPlekhanov Russian University of Economicsarticledesignsociumtechnologiessubjectdesign of costumeEconomics as a scienceHB71-74RUВестник Российского экономического университета имени Г. В. Плеханова, Vol 0, Iss 4, Pp 100-112 (2017) |
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design socium technologies subject design of costume Economics as a science HB71-74 |
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design socium technologies subject design of costume Economics as a science HB71-74 Evgeniya I. Kuznetsova SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY |
description |
The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines that revolutions not only change ideology of society but transform reality. Today changes in social structure can be so fast that social technologies themselves can acquire the character of design projection. Revolution technologies work according to the principle of projecting, compiling and circulating. So we can speak about the design of revolutions. The main idea about interrelation of changes in social environment and in design is supported by examples of the history of costume as the most dynamically developing phenomenon. |
format |
article |
author |
Evgeniya I. Kuznetsova |
author_facet |
Evgeniya I. Kuznetsova |
author_sort |
Evgeniya I. Kuznetsova |
title |
SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY |
title_short |
SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY |
title_full |
SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY |
title_fullStr |
SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY |
title_full_unstemmed |
SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY |
title_sort |
social technologies as a basis of designer's creativity |
publisher |
Plekhanov Russian University of Economics |
publishDate |
2017 |
url |
https://doaj.org/article/44b11899edb346c1a0e5e7e2a993fc87 |
work_keys_str_mv |
AT evgeniyaikuznetsova socialtechnologiesasabasisofdesignerscreativity |
_version_ |
1718428742082101248 |