Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition

The author analyses the visual metaphors of K. N. Batyushkov’s poetry, in which he acts as the creative heir to the artistic style of G. R. Derzhavin. The urgency of the problem is connected with the need to clarify the features of the creative method of K. N. Batyushkov in the aspect of his assimil...

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Autor principal:	K. A. Potashova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	artistic image poetics of the visual k. n. batyushkov g. r. derzhavin poetic formula aes-thetics of romanticism Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/461be73ab1084119abe5ff7821c8728c
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spelling	oai:doaj.org-article:461be73ab1084119abe5ff7821c8728c2021-12-02T07:58:11ZPoetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition2225-756X2227-129510.24224/2227-1295-2020-8-258-271https://doaj.org/article/461be73ab1084119abe5ff7821c8728c2020-08-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1845https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The author analyses the visual metaphors of K. N. Batyushkov’s poetry, in which he acts as the creative heir to the artistic style of G. R. Derzhavin. The urgency of the problem is connected with the need to clarify the features of the creative method of K. N. Batyushkov in the aspect of his assimilation of the Derzhavin tradition. The novelty of the research is connected with the expansion of ideas about the poetics of the visual in Russian poetry of the early 19th century, in particular, in the work of K. N. Batyushkov. It is proved that K. N. Batyushkov represents vision as a process of cognition of the world. The mechanisms of K. N. Batyushkov’s transformation of visually perceived world in an artistic image are considered, the artistic thinking of the poet is reconstructed. It is revealed that the model of creating a visual verbal image in K. N. Batyushkov’s work is based on the poetic formula “I see.” It is shown that K. N. Batyushkov emphasizes the position of the observer, reflecting at the same time on the diversity and greatness of God’s world, on the cause-and-effect relationship of reality phenomena. It is established that a special place is given to the representation of historical events in the work of the poet: through the poetic formula “I see” K. N. Batyushkov places himself inside the picture, which corresponds to the emerging aesthetics of romanticism with its cult of personal perception of reality.K. A. PotashovaTsentr nauchnykh i obrazovatelnykh proektovarticleartistic imagepoetics of the visualk. n. batyushkovg. r. derzhavinpoetic formulaaes-thetics of romanticismSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 1, Iss 8, Pp 258-271 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	artistic image poetics of the visual k. n. batyushkov g. r. derzhavin poetic formula aes-thetics of romanticism Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	artistic image poetics of the visual k. n. batyushkov g. r. derzhavin poetic formula aes-thetics of romanticism Slavic languages. Baltic languages. Albanian languages PG1-9665 K. A. Potashova Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition
description	The author analyses the visual metaphors of K. N. Batyushkov’s poetry, in which he acts as the creative heir to the artistic style of G. R. Derzhavin. The urgency of the problem is connected with the need to clarify the features of the creative method of K. N. Batyushkov in the aspect of his assimilation of the Derzhavin tradition. The novelty of the research is connected with the expansion of ideas about the poetics of the visual in Russian poetry of the early 19th century, in particular, in the work of K. N. Batyushkov. It is proved that K. N. Batyushkov represents vision as a process of cognition of the world. The mechanisms of K. N. Batyushkov’s transformation of visually perceived world in an artistic image are considered, the artistic thinking of the poet is reconstructed. It is revealed that the model of creating a visual verbal image in K. N. Batyushkov’s work is based on the poetic formula “I see.” It is shown that K. N. Batyushkov emphasizes the position of the observer, reflecting at the same time on the diversity and greatness of God’s world, on the cause-and-effect relationship of reality phenomena. It is established that a special place is given to the representation of historical events in the work of the poet: through the poetic formula “I see” K. N. Batyushkov places himself inside the picture, which corresponds to the emerging aesthetics of romanticism with its cult of personal perception of reality.
format	article
author	K. A. Potashova
author_facet	K. A. Potashova
author_sort	K. A. Potashova
title	Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition
title_short	Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition
title_full	Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition
title_fullStr	Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition
title_full_unstemmed	Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition
title_sort	poetic formula “i see” in k. n. batyushkov’s work: creative assimila-tion of the derzhavin tradition
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/461be73ab1084119abe5ff7821c8728c
work_keys_str_mv	AT kapotashova poeticformulaiseeinknbatyushkovsworkcreativeassimilationofthederzhavintradition
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Poetic Formula “I see” in K. N. Batyushkov’s Work: Creative Assimila-tion of the Derzhavin Tradition

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