Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia

Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia

This article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tab...

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Autor principal: Marina López Martínez
Formato: article
Lenguaje:CA
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Publicado: Universitat de Barcelona 2005
Materias:
Women. Feminism
HQ1101-2030.7
Acceso en línea:https://doaj.org/article/4635e782343f424bb35ce5c2b5883a87
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id oai:doaj.org-article:4635e782343f424bb35ce5c2b5883a87
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spelling oai:doaj.org-article:4635e782343f424bb35ce5c2b5883a872021-12-02T19:36:55ZFicción y <i>serial killer</i>, cuando las mujeres recurren a la violencia1136-57812013-9470https://doaj.org/article/4635e782343f424bb35ce5c2b5883a872005-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7115https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tabachnik, Fred Vargas and Virginie Despentes. The cinematographic adaptation of Despente’s Baise-moi (2000) is specially revealing: while the bloodthirsty murders of Hannibal Lecter or other masculine serial killers receive the approval of the great public and the critic in general, the crimes committed by the two heroins of Virginie Despentes have been put under the censorship. I try to demonstrate from this example that the use of violent women is still disturbing, a taboo after which remains old generic prejudices.Marina López MartínezUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 11 (2005)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Marina López Martínez
Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
description This article deals with the figure of the serial killer, a character whose extreme violence has constituted it as the maximum exponent of evilness in our cultural representations. My main interest is to see the treatment that some French police novel writers reserve to him: Brigitte Aubert, Maud Tabachnik, Fred Vargas and Virginie Despentes. The cinematographic adaptation of Despente’s Baise-moi (2000) is specially revealing: while the bloodthirsty murders of Hannibal Lecter or other masculine serial killers receive the approval of the great public and the critic in general, the crimes committed by the two heroins of Virginie Despentes have been put under the censorship. I try to demonstrate from this example that the use of violent women is still disturbing, a taboo after which remains old generic prejudices.
format article
author Marina López Martínez
author_facet Marina López Martínez
author_sort Marina López Martínez
title Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_short Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_full Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_fullStr Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_full_unstemmed Ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
title_sort ficción y <i>serial killer</i>, cuando las mujeres recurren a la violencia
publisher Universitat de Barcelona
publishDate 2005
url https://doaj.org/article/4635e782343f424bb35ce5c2b5883a87
work_keys_str_mv AT marinalopezmartinez ficcionyiserialkillericuandolasmujeresrecurrenalaviolencia
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