Effect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis
The aim of this preliminary study is to better understand the effects of transparent, surgical, cloth, KN95 (FFP2), and singer’s face masks on speech and singing in French. A survey gathered self-perception, and a local and global acoustic analysis of conversational, loud spoken and sung producti...
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Edizioni Ca’ Foscari
2021
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oai:doaj.org-article:46919118f7e0490db9e974bf0418ca5d2021-11-18T11:18:17ZEffect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis2499-156210.30687/AnnOc/2499-1562/2021/09/012https://doaj.org/article/46919118f7e0490db9e974bf0418ca5d2021-09-01T00:00:00Zhttps://edizionicafoscari.unive.it4/riviste/annali-di-ca-foscari-serie-occidentale/2021/55/effect-of-different-face-masks-on-speech-and-singi/https://doaj.org/toc/2499-1562 The aim of this preliminary study is to better understand the effects of transparent, surgical, cloth, KN95 (FFP2), and singer’s face masks on speech and singing in French. A survey gathered self-perception, and a local and global acoustic analysis of conversational, loud spoken and sung productions by the same individual were conducted. According to the 303 subjects surveyed, plosive consonants seem to be produced with the greatest difficulty. Consonants requiring lip involvement seem to be the most affected. The transparent and KN95 (FFP2) masks attenuate the intensity of all the consonants and spoken utterances as a whole, unlike the singer’s mask. Pillot-Loiseau, ClaireHarmegnies, BernardEdizioni Ca’ FoscariarticlePhonetics. Face masks. Consonants. Speech. Singing. Self-perception.Language and LiteraturePLanguage. Linguistic theory. Comparative grammarP101-410DEENESFRITNLPTRUAnnali di Ca’ Foscari. Serie Occidentale, Vol 55, Iss 55, Pp - (2021) |
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DOAJ |
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DE EN ES FR IT NL PT RU |
topic |
Phonetics. Face masks. Consonants. Speech. Singing. Self-perception. Language and Literature P Language. Linguistic theory. Comparative grammar P101-410 |
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Phonetics. Face masks. Consonants. Speech. Singing. Self-perception. Language and Literature P Language. Linguistic theory. Comparative grammar P101-410 Pillot-Loiseau, Claire Harmegnies, Bernard Effect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis |
description |
The aim of this preliminary study is to better understand the effects of transparent, surgical, cloth, KN95 (FFP2), and singer’s face masks on speech and singing in French. A survey gathered self-perception, and a local and global acoustic analysis of conversational, loud spoken and sung productions by the same individual were conducted. According to the 303 subjects surveyed, plosive consonants seem to be produced with the greatest difficulty. Consonants requiring lip involvement seem to be the most affected. The transparent and KN95 (FFP2) masks attenuate the intensity of all the consonants and spoken utterances as a whole, unlike the singer’s mask.
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format |
article |
author |
Pillot-Loiseau, Claire Harmegnies, Bernard |
author_facet |
Pillot-Loiseau, Claire Harmegnies, Bernard |
author_sort |
Pillot-Loiseau, Claire |
title |
Effect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis |
title_short |
Effect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis |
title_full |
Effect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis |
title_fullStr |
Effect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis |
title_full_unstemmed |
Effect of Different Face Masks on Speech and Singing: Self-Perception and Acoustic Analysis |
title_sort |
effect of different face masks on speech and singing: self-perception and acoustic analysis |
publisher |
Edizioni Ca’ Foscari |
publishDate |
2021 |
url |
https://doaj.org/article/46919118f7e0490db9e974bf0418ca5d |
work_keys_str_mv |
AT pillotloiseauclaire effectofdifferentfacemasksonspeechandsingingselfperceptionandacousticanalysis AT harmegniesbernard effectofdifferentfacemasksonspeechandsingingselfperceptionandacousticanalysis |
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