Metalanguage Attitude and Syntax of Secondary Text (Poetic Parodies by A. A. Ivanov)

The problem of the metalanguage  attitude (in the   development of the concept of D. N. Uznadze) and the specifics of the implementation of the metalanguage attitude in  parody  as   a   secondary   text   at  the   syntactic   level   are   considered. The relevance of the research lies in the fact...

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Autor principal: K. Ya. Seagal
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2021
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Acceso en línea:https://doaj.org/article/47188e32d03946388a71a389567391fd
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Sumario:The problem of the metalanguage  attitude (in the   development of the concept of D. N. Uznadze) and the specifics of the implementation of the metalanguage attitude in  parody  as   a   secondary   text   at  the   syntactic   level   are   considered. The relevance of the research lies in the fact that the development of the metalanguage aspect of speech activity in modern linguistics requires the concept of a metalanguage attitude. In addition, now it is necessary to understand how the metalanguage  attitude is realized in the syntactic organization of secondary texts of a particular genre (in this case, parody). The novelty of the  research lies  in  the  creation of the general theory of the metalanguage attitude foundations, in substantiating the  inclusion of the metalanguage attitude in the speech structure of  parody,  in  the  reconstruction  of the elements of the parodist’s creative work on the syntax of both the original (primary) and his own (secondary) text. The poetic parodies of A. A. Ivanov were taken as material for the study, in which the metalanguage attitude, realized in the syntax, is placed at the service of the genre-stylistic conventions of parody, on the one hand, and the parodist’s aesthetic goal-setting, on the other. When analyzing poetic parodies of A. A.  Ivanov, it was found that  the  syntactic  realization  of the metalanguage attitude is carried out on the basis of principles, operations and means. Four poetic parodies of A. A. Ivanov were subjected to detailed analysis.