Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project

Today, many computational techniques of form-finding use the term design with the term research. Thus, architectural studios become more and more like laboratories for design experiments. This study proposes a design experiment called “The Sound Motion Streaks Project” where the sound can be used a...

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Autor principal:	Pınar Çalışır
Formato:	article
Lenguaje:	EN
Publicado:	Konya Technical University Faculty of Architecture and Design 2016
Materias:	Form-finding Kinetic Form Sound Experimentation Architecture NA1-9428 City planning HT165.5-169.9
Acceso en línea:	https://doaj.org/article/47490d3300374927b4d104c52dca7f21
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spelling	oai:doaj.org-article:47490d3300374927b4d104c52dca7f212021-11-07T06:24:21ZForm-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project2147-9380https://doaj.org/article/47490d3300374927b4d104c52dca7f212016-01-01T00:00:00Zhttps://iconarp.ktun.edu.tr/index.php/iconarp/article/view/89https://doaj.org/toc/2147-9380 Today, many computational techniques of form-finding use the term design with the term research. Thus, architectural studios become more and more like laboratories for design experiments. This study proposes a design experiment called “The Sound Motion Streaks Project” where the sound can be used as generative computational data and applied to digital form finding studies. Design process relies on an idea that sound as an external force can produce or deform shapes according to its influence. The first phase of the process is to make physical experiments on the sound and see its influences on granular and fluid materials. We can say that, in these physical experimentations, there is a knowledge transmission from physical to digital medium that we can use as design parameters on software. In digital software, the sound can be a force field and manipulate digital matters such as particles, curves and meshes. The form-finding method of the Sound Motion Project is constituted by all physical and digital experiments, and applied in an urban area in order to discuss its architectural potentials. For instance, all material events in the area depend on duration and movement of digital tools, thus the notion of form and/or space become kinetic. Kinetic reactions bring out a new understanding of space and form which consists of motionless boundary, translatability, rhythmicity, differentiated densities and heterogeneity. Also this generative approach gives architects many potential solutions for architectural forms. Pınar ÇalışırKonya Technical University Faculty of Architecture and DesignarticleForm-findingKinetic FormSoundExperimentationArchitectureNA1-9428City planningHT165.5-169.9ENIconarp International Journal of Architecture and Planning, Vol 3, Iss 2 (2016)
institution	DOAJ
collection	DOAJ
language	EN
topic	Form-finding Kinetic Form Sound Experimentation Architecture NA1-9428 City planning HT165.5-169.9
spellingShingle	Form-finding Kinetic Form Sound Experimentation Architecture NA1-9428 City planning HT165.5-169.9 Pınar Çalışır Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project
description	Today, many computational techniques of form-finding use the term design with the term research. Thus, architectural studios become more and more like laboratories for design experiments. This study proposes a design experiment called “The Sound Motion Streaks Project” where the sound can be used as generative computational data and applied to digital form finding studies. Design process relies on an idea that sound as an external force can produce or deform shapes according to its influence. The first phase of the process is to make physical experiments on the sound and see its influences on granular and fluid materials. We can say that, in these physical experimentations, there is a knowledge transmission from physical to digital medium that we can use as design parameters on software. In digital software, the sound can be a force field and manipulate digital matters such as particles, curves and meshes. The form-finding method of the Sound Motion Project is constituted by all physical and digital experiments, and applied in an urban area in order to discuss its architectural potentials. For instance, all material events in the area depend on duration and movement of digital tools, thus the notion of form and/or space become kinetic. Kinetic reactions bring out a new understanding of space and form which consists of motionless boundary, translatability, rhythmicity, differentiated densities and heterogeneity. Also this generative approach gives architects many potential solutions for architectural forms.
format	article
author	Pınar Çalışır
author_facet	Pınar Çalışır
author_sort	Pınar Çalışır
title	Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project
title_short	Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project
title_full	Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project
title_fullStr	Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project
title_full_unstemmed	Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project
title_sort	form-finding with experimentation on natural periodic forces: the sound motion streaks project
publisher	Konya Technical University Faculty of Architecture and Design
publishDate	2016
url	https://doaj.org/article/47490d3300374927b4d104c52dca7f21
work_keys_str_mv	AT pınarcalısır formfindingwithexperimentationonnaturalperiodicforcesthesoundmotionstreaksproject
_version_	1718443607507075072

Form-Finding With Experimentation on Natural Periodic Forces: The Sound Motion Streaks Project

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