Voyages d’une reine bangwa dans l’imaginaire occidental

The status of the bangwa sculpture in question here has changed many times as it moved from the Grassfields of Cameroon to Berlin, from Paris to New York and Washington and back to Paris: first a religious artifact linked to a cult, it became the object of ethnographic studies, the symbol of Cameroo...

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Autor principal:	Maureen Murphy
Formato:	article
Lenguaje:	EN FR
Publicado:	OpenEdition 2007
Materias:	African American arts Bangwa Eliot Elisofon Walker Evans Helena Rubinstein Archaeology CC1-960 History of the arts NX440-632
Acceso en línea:	https://doaj.org/article/47da7ef3199e48d1823ade91c6e483ef
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id	oai:doaj.org-article:47da7ef3199e48d1823ade91c6e483ef
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spelling	oai:doaj.org-article:47da7ef3199e48d1823ade91c6e483ef2021-12-02T10:47:41ZVoyages d’une reine bangwa dans l’imaginaire occidental2431-204510.4000/aaa.1187https://doaj.org/article/47da7ef3199e48d1823ade91c6e483ef2007-02-01T00:00:00Zhttp://journals.openedition.org/aaa/1187https://doaj.org/toc/2431-2045The status of the bangwa sculpture in question here has changed many times as it moved from the Grassfields of Cameroon to Berlin, from Paris to New York and Washington and back to Paris: first a religious artifact linked to a cult, it became the object of ethnographic studies, the symbol of Cameroonian people’s submission to the German power before it was celebrated as an exceptional work of art. Its displacement in the Western imaginary is fairly representative of the reception of African arts in the West and enables to rethink the issue of their perception a few months after the opening of the musée du quai branly dedicated to the arts of Africa, America, Asia and Oceania in Paris.Maureen MurphyOpenEditionarticleAfrican AmericanartsBangwaEliot ElisofonWalker EvansHelena RubinsteinArchaeologyCC1-960History of the artsNX440-632ENFRAfrique Archéologie Arts, Vol 4, Pp 23-34 (2007)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	African American arts Bangwa Eliot Elisofon Walker Evans Helena Rubinstein Archaeology CC1-960 History of the arts NX440-632
spellingShingle	African American arts Bangwa Eliot Elisofon Walker Evans Helena Rubinstein Archaeology CC1-960 History of the arts NX440-632 Maureen Murphy Voyages d’une reine bangwa dans l’imaginaire occidental
description	The status of the bangwa sculpture in question here has changed many times as it moved from the Grassfields of Cameroon to Berlin, from Paris to New York and Washington and back to Paris: first a religious artifact linked to a cult, it became the object of ethnographic studies, the symbol of Cameroonian people’s submission to the German power before it was celebrated as an exceptional work of art. Its displacement in the Western imaginary is fairly representative of the reception of African arts in the West and enables to rethink the issue of their perception a few months after the opening of the musée du quai branly dedicated to the arts of Africa, America, Asia and Oceania in Paris.
format	article
author	Maureen Murphy
author_facet	Maureen Murphy
author_sort	Maureen Murphy
title	Voyages d’une reine bangwa dans l’imaginaire occidental
title_short	Voyages d’une reine bangwa dans l’imaginaire occidental
title_full	Voyages d’une reine bangwa dans l’imaginaire occidental
title_fullStr	Voyages d’une reine bangwa dans l’imaginaire occidental
title_full_unstemmed	Voyages d’une reine bangwa dans l’imaginaire occidental
title_sort	voyages d’une reine bangwa dans l’imaginaire occidental
publisher	OpenEdition
publishDate	2007
url	https://doaj.org/article/47da7ef3199e48d1823ade91c6e483ef
work_keys_str_mv	AT maureenmurphy voyagesdunereinebangwadanslimaginaireoccidental
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Voyages d’une reine bangwa dans l’imaginaire occidental

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