AMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO

Sevinç Çokum’s novel Deli Zamanlar, was published in 2000. While picturing social after ‘May the 27th, it evaluates concepts like the relationship of the modern with masculine domination and traditions and limits of the woman’s will and freedom. Events are conveyed through the narrator and the main...

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Autor principal: Ferda ZAMBAK
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Publicado: Fırat University 2019
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Acceso en línea:https://doaj.org/article/487e926ca274488ab12edf9db4be7c85
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spelling oai:doaj.org-article:487e926ca274488ab12edf9db4be7c852021-11-24T09:20:48ZAMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO2148-416310.9761/JASSS4822https://doaj.org/article/487e926ca274488ab12edf9db4be7c852019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=2057113629_11-Yrd.%20Do%C3%A7.%20Dr.%20Ferda%20ZAMBAK.pdf&key=28129https://doaj.org/toc/2148-4163Sevinç Çokum’s novel Deli Zamanlar, was published in 2000. While picturing social after ‘May the 27th, it evaluates concepts like the relationship of the modern with masculine domination and traditions and limits of the woman’s will and freedom. Events are conveyed through the narrator and the main character, who is a young, female university student are focused on her own and her best friend Aypare’s life. In the novel, the narrator and Aypare represent well-educated, party member characters who try to live their lifes on their own will. Around the axis of difficult and traumatic experiences of them and the society they make inroads into the consciousness of the new woman type. This consciousness is an ambivalent living quarter, which forces traditional women to remain in limbo, who slog on breaking with the past. While this hesitant existence is presented to the reader, portaraits and stories of robust women of the past, from whom the new woman take stregth are not neglected either. Moreover, the modern cocotte, which remaine in the shop window of evolution and masculine domination who grabs women by the throat and tries to make them object to men are criticised, as well. Thus, the idea of changing, which the narrator both desires and fears from is conveyed to the reader on several aspects. In the study, more independent and strong-willed women will be tried to be depicted and social and sexist references of cultural subconscious, which disrupts endeavour for changing will be tried to be established. The relationship of this consciousness with hegemonic masculinity and cultural retention will be tried to be explained and inured states of traditional gender roles will be discussed within the framework of the novel’s fiction.Ferda ZAMBAKFırat Universityarticlehegemonic masculinitythe new womanmoderncultural memorylimboSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 9, Iss 52, Pp 135-145 (2019)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic hegemonic masculinity
the new woman
modern
cultural memory
limbo
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle hegemonic masculinity
the new woman
modern
cultural memory
limbo
Social Sciences
H
Social sciences (General)
H1-99
Ferda ZAMBAK
AMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO
description Sevinç Çokum’s novel Deli Zamanlar, was published in 2000. While picturing social after ‘May the 27th, it evaluates concepts like the relationship of the modern with masculine domination and traditions and limits of the woman’s will and freedom. Events are conveyed through the narrator and the main character, who is a young, female university student are focused on her own and her best friend Aypare’s life. In the novel, the narrator and Aypare represent well-educated, party member characters who try to live their lifes on their own will. Around the axis of difficult and traumatic experiences of them and the society they make inroads into the consciousness of the new woman type. This consciousness is an ambivalent living quarter, which forces traditional women to remain in limbo, who slog on breaking with the past. While this hesitant existence is presented to the reader, portaraits and stories of robust women of the past, from whom the new woman take stregth are not neglected either. Moreover, the modern cocotte, which remaine in the shop window of evolution and masculine domination who grabs women by the throat and tries to make them object to men are criticised, as well. Thus, the idea of changing, which the narrator both desires and fears from is conveyed to the reader on several aspects. In the study, more independent and strong-willed women will be tried to be depicted and social and sexist references of cultural subconscious, which disrupts endeavour for changing will be tried to be established. The relationship of this consciousness with hegemonic masculinity and cultural retention will be tried to be explained and inured states of traditional gender roles will be discussed within the framework of the novel’s fiction.
format article
author Ferda ZAMBAK
author_facet Ferda ZAMBAK
author_sort Ferda ZAMBAK
title AMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO
title_short AMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO
title_full AMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO
title_fullStr AMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO
title_full_unstemmed AMBIVALENT LIVING QUARTERS OF ‘DELİ ZAMANLAR’: CONSCIOUSNESS OF THE NEW WOMAN IN LIMBO
title_sort ambivalent living quarters of ‘deli̇ zamanlar’: consciousness of the new woman in limbo
publisher Fırat University
publishDate 2019
url https://doaj.org/article/487e926ca274488ab12edf9db4be7c85
work_keys_str_mv AT ferdazambak ambivalentlivingquartersofdelizamanlarconsciousnessofthenewwomaninlimbo
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