O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento

This paper aims at proposing a reading of the supposedly fictional book Retrato desnatural (diários - 2004 a 2007), by Evando Nascimento, published in 2008, by observing the way through which the author, in consonance with the notion of “writable text” by Roland Barthes, entertains a dialogue with d...

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Autor principal:	Fabíola Padilha
Formato:	article
Lenguaje:	ES PT
Publicado:	Universidade de Brasília 2012
Materias:	retrato desnatural (diários 2004 a 2007) evando nascimento performances French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/49c0a7bd2ac548bdb6185c098d45c37f
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id	oai:doaj.org-article:49c0a7bd2ac548bdb6185c098d45c37f
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spelling	oai:doaj.org-article:49c0a7bd2ac548bdb6185c098d45c37f2021-11-11T15:52:07ZO a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento1518-01582316-4018https://doaj.org/article/49c0a7bd2ac548bdb6185c098d45c37f2012-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127334014https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018This paper aims at proposing a reading of the supposedly fictional book Retrato desnatural (diários - 2004 a 2007), by Evando Nascimento, published in 2008, by observing the way through which the author, in consonance with the notion of “writable text” by Roland Barthes, entertains a dialogue with diverse artistic lan- guages (plastic arts, music, theater, cinema, literature) as well as with the western philosophy. It will also be verified that this dialogue, on its turn, flows into the idea of expropriation of the subject, since the author recognizes, under the sign of the "self", the innumerable traces of the others in his writing. The copious "mes" that integrate the manufacturing of the self-portrait, vestiges left by the other in the self, compose an exact image of his innate movability - pantomimes of the author/actor exhibiting multiple interversions, redefining the task of self-reengen- dering through writing, by postulating that "everything then are daily fictions, that is, infictions, slips, rollings of an I and its others. Until when." (Nascimento, 2008, p. 160). Singular snapshots showing us, readers/spectators, their only pos- sible face: an unnatural portrait.Fabíola PadilhaUniversidade de Brasíliaarticleretrato desnatural (diários2004 a 2007)evando nascimentoperformancesFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 40, Pp 205-212 (2012)
institution	DOAJ
collection	DOAJ
language	ES PT
topic	retrato desnatural (diários 2004 a 2007) evando nascimento performances French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	retrato desnatural (diários 2004 a 2007) evando nascimento performances French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Fabíola Padilha O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
description	This paper aims at proposing a reading of the supposedly fictional book Retrato desnatural (diários - 2004 a 2007), by Evando Nascimento, published in 2008, by observing the way through which the author, in consonance with the notion of “writable text” by Roland Barthes, entertains a dialogue with diverse artistic lan- guages (plastic arts, music, theater, cinema, literature) as well as with the western philosophy. It will also be verified that this dialogue, on its turn, flows into the idea of expropriation of the subject, since the author recognizes, under the sign of the "self", the innumerable traces of the others in his writing. The copious "mes" that integrate the manufacturing of the self-portrait, vestiges left by the other in the self, compose an exact image of his innate movability - pantomimes of the author/actor exhibiting multiple interversions, redefining the task of self-reengen- dering through writing, by postulating that "everything then are daily fictions, that is, infictions, slips, rollings of an I and its others. Until when." (Nascimento, 2008, p. 160). Singular snapshots showing us, readers/spectators, their only pos- sible face: an unnatural portrait.
format	article
author	Fabíola Padilha
author_facet	Fabíola Padilha
author_sort	Fabíola Padilha
title	O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
title_short	O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
title_full	O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
title_fullStr	O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
title_full_unstemmed	O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento
title_sort	o a(u)tor e suas "interversões" em retrato desnatural, de evando nascimento
publisher	Universidade de Brasília
publishDate	2012
url	https://doaj.org/article/49c0a7bd2ac548bdb6185c098d45c37f
work_keys_str_mv	AT fabiolapadilha oautoresuasinterversoesemretratodesnaturaldeevandonascimento
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O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento

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