Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes

The purpose of this article is to study the feature film Madame Bovary (2014) by Franco-American filmmaker Sophie Barthes, and to identify how it dialogues with the Flaubertian novel, while respecting its spirit and the psychology of the characters, but in a modern work whose target would rather be...

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Autor principal:	Ana Alexandra Carvalho
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Association Portugaise d'Etudes Françaises 2021
Materias:	Literature and cinema Bovary (Emma) Flaubert (Gustave) Barthes (Sophie) French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/4a4cad6300a74387ac93f6b8698e2515
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spelling	oai:doaj.org-article:4a4cad6300a74387ac93f6b8698e25152021-12-02T09:53:06ZMadame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes1646-769810.4000/carnets.13254https://doaj.org/article/4a4cad6300a74387ac93f6b8698e25152021-11-01T00:00:00Zhttp://journals.openedition.org/carnets/13254https://doaj.org/toc/1646-7698The purpose of this article is to study the feature film Madame Bovary (2014) by Franco-American filmmaker Sophie Barthes, and to identify how it dialogues with the Flaubertian novel, while respecting its spirit and the psychology of the characters, but in a modern work whose target would rather be a younger audience, after other well-known screen adaptations. This shows Emma Bovary has earned her place among the most famous literary types, even giving her name to a moral behaviour, « bovarism », the romantic dissatisfaction which prevents from living in the real world. She is indeed a fascinating character that the cinema has helped to make even more universal.Ana Alexandra CarvalhoAssociation Portugaise d'Etudes FrançaisesarticleLiterature and cinemaBovary (Emma)Flaubert (Gustave)Barthes (Sophie)French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ENFRPTCarnets, Vol 22 (2021)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	Literature and cinema Bovary (Emma) Flaubert (Gustave) Barthes (Sophie) French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	Literature and cinema Bovary (Emma) Flaubert (Gustave) Barthes (Sophie) French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Ana Alexandra Carvalho Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
description	The purpose of this article is to study the feature film Madame Bovary (2014) by Franco-American filmmaker Sophie Barthes, and to identify how it dialogues with the Flaubertian novel, while respecting its spirit and the psychology of the characters, but in a modern work whose target would rather be a younger audience, after other well-known screen adaptations. This shows Emma Bovary has earned her place among the most famous literary types, even giving her name to a moral behaviour, « bovarism », the romantic dissatisfaction which prevents from living in the real world. She is indeed a fascinating character that the cinema has helped to make even more universal.
format	article
author	Ana Alexandra Carvalho
author_facet	Ana Alexandra Carvalho
author_sort	Ana Alexandra Carvalho
title	Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
title_short	Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
title_full	Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
title_fullStr	Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
title_full_unstemmed	Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
title_sort	madame bovary 24 : l’héroïne flaubertienne au cinéma selon sophie barthes
publisher	Association Portugaise d'Etudes Françaises
publishDate	2021
url	https://doaj.org/article/4a4cad6300a74387ac93f6b8698e2515
work_keys_str_mv	AT anaalexandracarvalho madamebovary24lheroineflaubertienneaucinemaselonsophiebarthes
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Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes

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