Phénoménologie du paysage
The purpose of this paper is to show that the notion of landscape can be understood only in a phenomenological manner, since a disinterested look devoid of any practical or theoretical intention alone can open us to the pure appearance of what is. This is what defines the painter’s attitude in regar...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | article |
| Lenguaje: | FR |
| Publicado: |
Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011
|
| Materias: | |
| Acceso en línea: | https://doaj.org/article/4c01acf2204341a89233b35bd9da07d7 |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| id |
oai:doaj.org-article:4c01acf2204341a89233b35bd9da07d7 |
|---|---|
| record_format |
dspace |
| spelling |
oai:doaj.org-article:4c01acf2204341a89233b35bd9da07d72021-12-02T09:55:09ZPhénoménologie du paysage1969-612410.4000/paysage.21559https://doaj.org/article/4c01acf2204341a89233b35bd9da07d72011-01-01T00:00:00Zhttp://journals.openedition.org/paysage/21559https://doaj.org/toc/1969-6124The purpose of this paper is to show that the notion of landscape can be understood only in a phenomenological manner, since a disinterested look devoid of any practical or theoretical intention alone can open us to the pure appearance of what is. This is what defines the painter’s attitude in regard to nature, in so far as he wants to let the things appear from themselves. The human being’s relation to space reveals therefore itself to be of an existential and affective nature. But this implies that the landscape can no longer be connected to a mere visual experience, but that it requires also the mediation of the other senses. The restitution of this at the same time corporeal and configurative experience of landscape has become a task for modern painting.Françoise DasturAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LillearticlephenomenologylandscapespacepaintingbodySocial SciencesHFRProjets de Paysage, Vol 5 (2011) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
FR |
| topic |
phenomenology landscape space painting body Social Sciences H |
| spellingShingle |
phenomenology landscape space painting body Social Sciences H Françoise Dastur Phénoménologie du paysage |
| description |
The purpose of this paper is to show that the notion of landscape can be understood only in a phenomenological manner, since a disinterested look devoid of any practical or theoretical intention alone can open us to the pure appearance of what is. This is what defines the painter’s attitude in regard to nature, in so far as he wants to let the things appear from themselves. The human being’s relation to space reveals therefore itself to be of an existential and affective nature. But this implies that the landscape can no longer be connected to a mere visual experience, but that it requires also the mediation of the other senses. The restitution of this at the same time corporeal and configurative experience of landscape has become a task for modern painting. |
| format |
article |
| author |
Françoise Dastur |
| author_facet |
Françoise Dastur |
| author_sort |
Françoise Dastur |
| title |
Phénoménologie du paysage |
| title_short |
Phénoménologie du paysage |
| title_full |
Phénoménologie du paysage |
| title_fullStr |
Phénoménologie du paysage |
| title_full_unstemmed |
Phénoménologie du paysage |
| title_sort |
phénoménologie du paysage |
| publisher |
Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille |
| publishDate |
2011 |
| url |
https://doaj.org/article/4c01acf2204341a89233b35bd9da07d7 |
| work_keys_str_mv |
AT francoisedastur phenomenologiedupaysage |
| _version_ |
1718397880386977792 |