Semiological analysis of Polish theater posters
Through the application of semiological analysis to theater posters made by two Polish authors, the paper uncovers signs, meanings, codes and specifics of the „Polish school of poster-making“ and contemporary Polish posters. Aside from this, I suggest a methodological framework for studying the issu...
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University of Belgrade
2016
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oai:doaj.org-article:4dd2e0af8f864e0d990daefa1d1852f12021-12-02T00:47:07ZSemiological analysis of Polish theater posters10.21301/EAP.V10.I1.60353-15892334-8801https://doaj.org/article/4dd2e0af8f864e0d990daefa1d1852f12016-02-01T00:00:00Zhttps://eap-iea.org/novi-ojs/index.php/eap/article/view/8https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801Through the application of semiological analysis to theater posters made by two Polish authors, the paper uncovers signs, meanings, codes and specifics of the „Polish school of poster-making“ and contemporary Polish posters. Aside from this, I suggest a methodological framework for studying the issue of coding and shaping a theater poster as a culturally specific form of visual communication. The aesthetic and semiotic outlook of the Polish theater posters which were chosen is analyzed using the semiological method which highlights their differences and similarities. By pointing out the system of codes through the examples given here, a graphic designer is informed about the existence and the possibilities of a more systematic approach to shaping a theater poster.Jelena NikolićUroš NedeljkovićUniversity of Belgradearticletheater posterssemiological analysisPolish school of poster-makinAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 10, Iss 1 (2016) |
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theater posters semiological analysis Polish school of poster-makin Anthropology GN1-890 |
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theater posters semiological analysis Polish school of poster-makin Anthropology GN1-890 Jelena Nikolić Uroš Nedeljković Semiological analysis of Polish theater posters |
description |
Through the application of semiological analysis to theater posters made by two Polish authors, the paper uncovers signs, meanings, codes and specifics of the „Polish school of poster-making“ and contemporary Polish posters. Aside from this, I suggest a methodological framework for studying the issue of coding and shaping a theater poster as a culturally specific form of visual communication. The aesthetic and semiotic outlook of the Polish theater posters which were chosen is analyzed using the semiological method which highlights their differences and similarities. By pointing out the system of codes through the examples given here, a graphic designer is informed about the existence and the possibilities of a more systematic approach to shaping a theater poster. |
format |
article |
author |
Jelena Nikolić Uroš Nedeljković |
author_facet |
Jelena Nikolić Uroš Nedeljković |
author_sort |
Jelena Nikolić |
title |
Semiological analysis of Polish theater posters |
title_short |
Semiological analysis of Polish theater posters |
title_full |
Semiological analysis of Polish theater posters |
title_fullStr |
Semiological analysis of Polish theater posters |
title_full_unstemmed |
Semiological analysis of Polish theater posters |
title_sort |
semiological analysis of polish theater posters |
publisher |
University of Belgrade |
publishDate |
2016 |
url |
https://doaj.org/article/4dd2e0af8f864e0d990daefa1d1852f1 |
work_keys_str_mv |
AT jelenanikolic semiologicalanalysisofpolishtheaterposters AT urosnedeljkovic semiologicalanalysisofpolishtheaterposters |
_version_ |
1718403492657233920 |