MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA

MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA

In Guinea Bissau, a country whose poetry production is one of the smallest among the PALOPs, the blood traces left by the Pidjiguiti massacre, the war for independence, the "Resetting Movement" and the 1998-1999 armed conflict metaphorically tarnish poetry. In this essa...

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Autor principal: Érica Bispo
Formato: article
Lenguaje:EN
ES
PT
Publicado: TRF2 2018
Materias:
tony tcheka
guinea bissau
testimony
war
memory
Education
L
Law
K
Acceso en línea:https://doaj.org/article/4ddbaaeccc78443a8dfb16fffc447141
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spelling oai:doaj.org-article:4ddbaaeccc78443a8dfb16fffc4471412021-12-02T15:17:19ZMEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA10.30749/2594-8261.v2n1p190-2052595-67282594-8261https://doaj.org/article/4ddbaaeccc78443a8dfb16fffc4471412018-05-01T00:00:00Zhttp://lexcultccjf.trf2.jus.br/index.php/LexCult/article/view/47/27https://doaj.org/toc/2595-6728https://doaj.org/toc/2594-8261In Guinea Bissau, a country whose poetry production is one of the smallest among the PALOPs, the blood traces left by the Pidjiguiti massacre, the war for independence, the "Resetting Movement" and the 1998-1999 armed conflict metaphorically tarnish poetry. In this essay, we intend to analyze the poetry of Tony Tcheka,considering it part of the trauma literature. Believing that "not counting perpetuates the tyranny of what has passed" (SELLIGMANN-SILVA, 2000, p. 9), we consider that Tcheka's poetic work reflects on and reflects the history of his country, as well as acting as a possible criticism of successive governments , who used violence for their maintenance.Érica BispoTRF2articletony tchekaguinea bissautestimonywarmemoryEducationLLawKENESPTLexCult, Vol 2, Iss 1, Pp 190-205 (2018)
institution DOAJ
collection DOAJ
language EN
ES
PT
topic tony tcheka
guinea bissau
testimony
war
memory
Education
L
Law
K
spellingShingle tony tcheka
guinea bissau
testimony
war
memory
Education
L
Law
K
Érica Bispo
MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA
description In Guinea Bissau, a country whose poetry production is one of the smallest among the PALOPs, the blood traces left by the Pidjiguiti massacre, the war for independence, the "Resetting Movement" and the 1998-1999 armed conflict metaphorically tarnish poetry. In this essay, we intend to analyze the poetry of Tony Tcheka,considering it part of the trauma literature. Believing that "not counting perpetuates the tyranny of what has passed" (SELLIGMANN-SILVA, 2000, p. 9), we consider that Tcheka's poetic work reflects on and reflects the history of his country, as well as acting as a possible criticism of successive governments , who used violence for their maintenance.
format article
author Érica Bispo
author_facet Érica Bispo
author_sort Érica Bispo
title MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA
title_short MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA
title_full MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA
title_fullStr MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA
title_full_unstemmed MEMÓRIA, TESTEMUNHO E TRAUMA EM TONY TCHEKA
title_sort memória, testemunho e trauma em tony tcheka
publisher TRF2
publishDate 2018
url https://doaj.org/article/4ddbaaeccc78443a8dfb16fffc447141
work_keys_str_mv AT ericabispo memoriatestemunhoetraumaemtonytcheka
_version_ 1718387444107182080

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