Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção

This study aims to analyze the relationship between objects, photographs and memory from an interpretation of scenes from fiction. It is common that, over a lifetime, people keep things, representing certain periods and moments of their lives, souvenirs from travels, other people, etc. The cases ana...

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Autores principales:	Olivia Silva Nery, Frantieska Huzsar Schneid, Maria Letícia Mazzucchi Ferreira, Francisca Ferreira Michelon
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2015
Materias:	objects photographs memory boxes of memories Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/5244c260e8f24fa0b0f9e4a61ef69996
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spelling	oai:doaj.org-article:5244c260e8f24fa0b0f9e4a61ef699962021-11-11T15:42:00ZCaixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção2177-6229https://doaj.org/article/5244c260e8f24fa0b0f9e4a61ef699962015-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93838249006https://doaj.org/toc/2177-6229This study aims to analyze the relationship between objects, photographs and memory from an interpretation of scenes from fiction. It is common that, over a lifetime, people keep things, representing certain periods and moments of their lives, souvenirs from travels, other people, etc. The cases analyzed are two separate productions, a film and a television series but both have several aspects in common, and the main point is the existence of the characters’ “memory boxes” and their relationship with them. These boxes represent the character’s identity. They have small objects, photographs and documents that induce memory evocation. First, we analyze the movie Le Fabuleux Destine d’Amélie Poulain (2001), in which the character’s life changes after she finds a box hidden in her home. Then analyze the episode “Male in the Mail” from the American TV series Bones (2012). In this episode, the main character Booth receives a box that belonged to his father, who has recently passed away. Therefore, Based on this examples we can say that, even in fiction, these memory boxes demonstrate the strong relationship between objects, photographs, memories and identity.Olivia Silva NeryFrantieska Huzsar SchneidMaria Letícia Mazzucchi FerreiraFrancisca Ferreira MichelonUniversidade do Vale do Rio dos Sinos (UNISINOS)articleobjectsphotographsmemoryboxes of memoriesSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 51, Iss 1, Pp 42-51 (2015)
institution	DOAJ
collection	DOAJ
language	PT
topic	objects photographs memory boxes of memories Social Sciences H Social sciences (General) H1-99
spellingShingle	objects photographs memory boxes of memories Social Sciences H Social sciences (General) H1-99 Olivia Silva Nery Frantieska Huzsar Schneid Maria Letícia Mazzucchi Ferreira Francisca Ferreira Michelon Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção
description	This study aims to analyze the relationship between objects, photographs and memory from an interpretation of scenes from fiction. It is common that, over a lifetime, people keep things, representing certain periods and moments of their lives, souvenirs from travels, other people, etc. The cases analyzed are two separate productions, a film and a television series but both have several aspects in common, and the main point is the existence of the characters’ “memory boxes” and their relationship with them. These boxes represent the character’s identity. They have small objects, photographs and documents that induce memory evocation. First, we analyze the movie Le Fabuleux Destine d’Amélie Poulain (2001), in which the character’s life changes after she finds a box hidden in her home. Then analyze the episode “Male in the Mail” from the American TV series Bones (2012). In this episode, the main character Booth receives a box that belonged to his father, who has recently passed away. Therefore, Based on this examples we can say that, even in fiction, these memory boxes demonstrate the strong relationship between objects, photographs, memories and identity.
format	article
author	Olivia Silva Nery Frantieska Huzsar Schneid Maria Letícia Mazzucchi Ferreira Francisca Ferreira Michelon
author_facet	Olivia Silva Nery Frantieska Huzsar Schneid Maria Letícia Mazzucchi Ferreira Francisca Ferreira Michelon
author_sort	Olivia Silva Nery
title	Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção
title_short	Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção
title_full	Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção
title_fullStr	Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção
title_full_unstemmed	Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção
title_sort	caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2015
url	https://doaj.org/article/5244c260e8f24fa0b0f9e4a61ef69996
work_keys_str_mv	AT oliviasilvanery caixasdememoriasarelacaoentreobjetosfotografiasmemoriaeidentidadeilustradasemcenasdaficcao AT frantieskahuzsarschneid caixasdememoriasarelacaoentreobjetosfotografiasmemoriaeidentidadeilustradasemcenasdaficcao AT marialeticiamazzucchiferreira caixasdememoriasarelacaoentreobjetosfotografiasmemoriaeidentidadeilustradasemcenasdaficcao AT franciscaferreiramichelon caixasdememoriasarelacaoentreobjetosfotografiasmemoriaeidentidadeilustradasemcenasdaficcao
_version_	1718434146145009664

Caixas de memórias: a relação entre objetos, fotografias, memória e identidade ilustradas em cenas da ficção

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