RELIGIOUS LANSCAPES IN A PASSAGE TO INDIA
Race, class, and gender are commonly accepted as the primary axes of analyses across the disciplines of imperialism and (post)colonialism. Within landscapes, they have constituted subjects, as both a priori and problematized categories of analysis. Even though religion has not received the same atte...
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| Formato: | article |
| Lenguaje: | DE EN FR TR |
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Fırat University
2019
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| Acceso en línea: | https://doaj.org/article/527d177bb495423dbd9c7e8dbdd5d333 |
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| Sumario: | Race, class, and gender are commonly accepted as the primary axes of analyses across the disciplines of imperialism and (post)colonialism. Within landscapes, they have constituted subjects, as both a priori and problematized categories of analysis. Even though religion has not received the same attention since it has been either reduced to a residual category, or there has been a paucity of research on geographies of religion, over the last two decades there has been a noticeable increase in both conceptual and theoretical criticism to geographies of religion. Accordingly, A Passage to India (1924) by E. M. Forster deserves to be evaluated in terms of geographies of religion for the simple reason that it illustrates a primary focus on religious landscapes, all of which can be said to have been built around threefold |
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