Über Wahrheit und Lyrik im außermoralischen Sinne. Transmoderne Zeitgeschichtslyrik am Beispiel der 9/11-Gedichte von Durs Grünbein und Thomas Kling
Literature and thus also historical poetry want “not only to convey factual truth and to exhort subjective truthfulness, but also to give orientation for the – in whatever respect – correct or appropriate world behavior” (Lamping 2013: 65f.). The question of this paper is to what extent and how the...
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| Format: | article |
| Langue: | DE EN |
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Universität Trier
2019
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| Accès en ligne: | https://doaj.org/article/52d45b46f8494f52a1078ee7d00c91e0 |
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| Résumé: | Literature and thus also historical poetry want “not only to convey factual truth and to exhort subjective truthfulness, but also to give orientation for the – in whatever respect – correct or appropriate world behavior” (Lamping 2013: 65f.). The question of this paper is to what extent and how the 9/11-poems of Thomas Kling and Durs Grünbein offer a specific counter historiography beyond the dichotomies of truth and falsehood, fact and fiction, in order to achieve a different level of knowledge. Due to the exhibited self-relatedness Grünbein presents not only in his essayistic pretext but also in his poem „September-Elegien“ mainly a subjective truthfulness rather than any certain orientation-knowledge. Kling’s historiographical-wrapped and complex instrumented poem „Manhattan Mundraum Zwei“ offers over-temporal, metaphysical-existential (counter-)truths and gives orientation beyond media-presented “facts” about 9/11. |
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