Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
The Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach »...
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| Formato: | article |
| Lenguaje: | FR |
| Publicado: |
OpenEdition
2018
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/5431c55d04284772944c8b66131f143b |
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| Sumario: | The Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach » level which encourages obscenity and a desacralization of the nakeness which was until then the basis of the traditional and cultural values. The main objectif of this article is to explore the artistic discourse as a new form of (re)appropriation and reinvention the public social space which needs a social or a political regulation in term of « living together ». |
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