Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun
The Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach »...
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2018
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oai:doaj.org-article:5431c55d04284772944c8b66131f143b2021-12-02T12:29:49ZQuand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun2335-153510.4000/multilinguales.3648https://doaj.org/article/5431c55d04284772944c8b66131f143b2018-12-01T00:00:00Zhttp://journals.openedition.org/multilinguales/3648https://doaj.org/toc/2335-1535The Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach » level which encourages obscenity and a desacralization of the nakeness which was until then the basis of the traditional and cultural values. The main objectif of this article is to explore the artistic discourse as a new form of (re)appropriation and reinvention the public social space which needs a social or a political regulation in term of « living together ».Jean-Benoît TsofackOpenEditionarticlemusicdiscriminationsbodyinterventionsexLanguage and LiteraturePFRMultilinguales, Vol 10 (2018) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
FR |
| topic |
music discriminations body intervention sex Language and Literature P |
| spellingShingle |
music discriminations body intervention sex Language and Literature P Jean-Benoît Tsofack Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun |
| description |
The Cameroon contemporary music has progressiveley become one of the social discourses or popular arts in general where the body negative discrimination has increased these last ten years. It has pushed out the norms (aesthetic, social or artistic) with a thematic evolution at the « under stomach » level which encourages obscenity and a desacralization of the nakeness which was until then the basis of the traditional and cultural values. The main objectif of this article is to explore the artistic discourse as a new form of (re)appropriation and reinvention the public social space which needs a social or a political regulation in term of « living together ». |
| format |
article |
| author |
Jean-Benoît Tsofack |
| author_facet |
Jean-Benoît Tsofack |
| author_sort |
Jean-Benoît Tsofack |
| title |
Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun |
| title_short |
Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun |
| title_full |
Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun |
| title_fullStr |
Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun |
| title_full_unstemmed |
Quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au Cameroun |
| title_sort |
quand la musique (re)gagne la rue : corps et discriminations en contexte urbain au cameroun |
| publisher |
OpenEdition |
| publishDate |
2018 |
| url |
https://doaj.org/article/5431c55d04284772944c8b66131f143b |
| work_keys_str_mv |
AT jeanbenoittsofack quandlamusiqueregagnelaruecorpsetdiscriminationsencontexteurbainaucameroun |
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1718394452625588224 |