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The Dimensions of the “Ethno” Cinema The main aim of the text is an introduction of phenomenon of the “Ethno” cinema, which present the cultural activity of defined ethnic groups. The main thesis of author is a thought that we can erease the division both on ethnographical cinema, as and on ethni...

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Autor principal:	Piotr Kletowski
Formato:	article
Lenguaje:	EN PL
Publicado:	Ksiegarnia Akademicka Publishing 2015
Materias:	kino etnograficzne kino etniczne Jean Rouch kino afroamerykańskie kino romskie kino jugosłowiańskie Law K Political science J
Acceso en línea:	https://doaj.org/article/552df673d0d04118b29a5aed5d9c4b34
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:552df673d0d04118b29a5aed5d9c4b34
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spelling	oai:doaj.org-article:552df673d0d04118b29a5aed5d9c4b342021-11-27T13:14:56ZOblicza kino "etno"10.12797/Politeja.11.2014.31_1.111733-67162391-6737https://doaj.org/article/552df673d0d04118b29a5aed5d9c4b342015-12-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/2491https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 The Dimensions of the “Ethno” Cinema The main aim of the text is an introduction of phenomenon of the “Ethno” cinema, which present the cultural activity of defined ethnic groups. The main thesis of author is a thought that we can erease the division both on ethnographical cinema, as and on ethnic cinema. Similarly, in the ground of “Ethno” cinema we can forget about divison on “fiction” feature and “documentary” feature because the border between these forms are very flexible. The most important thing is the truth about processes of ethnical society, not the form of the message, which is only the way of analysis. The central figure for understanding of the “ethno” cinema is Jean the Rouch – the pioneer of modern ethnographical cinema who created the fundamental base of the “Ethno” cinema, both intellectual and formal. Ethnic cinema is realized everywhere, where society is diversified by ethnical factor. First of all in USA and in Europe, as well (especially in Balkans). On the ground of “Ethno” cinema there are a few directors who put inside perspective in portraying ethnic matters, in the spirit of Rouch’s postulats. In America there are Afro‑American directors such as Spike Lee. In Europe one of them is Tony Gatlif – a Roma filmmaker, who is the main representative of European Roma Cinema. Piotr KletowskiKsiegarnia Akademicka Publishingarticlekino etnograficznekino etniczneJean Rouchkino afroamerykańskiekino romskiekino jugosłowiańskieLawKPolitical scienceJENPLPoliteja, Vol 11, Iss 5 (31/1) (2015)
institution	DOAJ
collection	DOAJ
language	EN PL
topic	kino etnograficzne kino etniczne Jean Rouch kino afroamerykańskie kino romskie kino jugosłowiańskie Law K Political science J
spellingShingle	kino etnograficzne kino etniczne Jean Rouch kino afroamerykańskie kino romskie kino jugosłowiańskie Law K Political science J Piotr Kletowski Oblicza kino "etno"
description	The Dimensions of the “Ethno” Cinema The main aim of the text is an introduction of phenomenon of the “Ethno” cinema, which present the cultural activity of defined ethnic groups. The main thesis of author is a thought that we can erease the division both on ethnographical cinema, as and on ethnic cinema. Similarly, in the ground of “Ethno” cinema we can forget about divison on “fiction” feature and “documentary” feature because the border between these forms are very flexible. The most important thing is the truth about processes of ethnical society, not the form of the message, which is only the way of analysis. The central figure for understanding of the “ethno” cinema is Jean the Rouch – the pioneer of modern ethnographical cinema who created the fundamental base of the “Ethno” cinema, both intellectual and formal. Ethnic cinema is realized everywhere, where society is diversified by ethnical factor. First of all in USA and in Europe, as well (especially in Balkans). On the ground of “Ethno” cinema there are a few directors who put inside perspective in portraying ethnic matters, in the spirit of Rouch’s postulats. In America there are Afro‑American directors such as Spike Lee. In Europe one of them is Tony Gatlif – a Roma filmmaker, who is the main representative of European Roma Cinema.
format	article
author	Piotr Kletowski
author_facet	Piotr Kletowski
author_sort	Piotr Kletowski
title	Oblicza kino "etno"
title_short	Oblicza kino "etno"
title_full	Oblicza kino "etno"
title_fullStr	Oblicza kino "etno"
title_full_unstemmed	Oblicza kino "etno"
title_sort	oblicza kino "etno"
publisher	Ksiegarnia Akademicka Publishing
publishDate	2015
url	https://doaj.org/article/552df673d0d04118b29a5aed5d9c4b34
work_keys_str_mv	AT piotrkletowski obliczakinoetno
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