Theme “Man and Nature” in the Poetry of Peter Komarov

The author’s elaboration of the content and poetics of landscape and natural history lyrics of the Far Eastern poet, winner of the Stalin Prize of the third degree P. S. Komarov (1911—1949) is presented. The novelty of the research lies in the fact that the poet’s work has practically not been studi...

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Autor principal:	О. N. Alexandrova-Osokina
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2021
Materias:	komarov peter stepanovich literary regional studies geopoetics landscape and natural history lyrics ekphrasis landscape Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/5575272608024fd68e2543d4c18ac3e7
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id	oai:doaj.org-article:5575272608024fd68e2543d4c18ac3e7
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spelling	oai:doaj.org-article:5575272608024fd68e2543d4c18ac3e72021-12-02T07:58:13ZTheme “Man and Nature” in the Poetry of Peter Komarov2225-756X2227-129510.24224/2227-1295-2021-1-96-109https://doaj.org/article/5575272608024fd68e2543d4c18ac3e72021-01-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2297https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The author’s elaboration of the content and poetics of landscape and natural history lyrics of the Far Eastern poet, winner of the Stalin Prize of the third degree P. S. Komarov (1911—1949) is presented. The novelty of the research lies in the fact that the poet’s work has practically not been studied. The relevance of the study is due to the attention of modern literary criticism to the problems of the literary process of the Soviet period, as well as interest in literary and regional studies. The idea is substantiated that the theme “man and nature” was central in the poetry of P. S. Komarov. It is noted that the dominant principle in the disclosure of this topic were the ideas of all-unity and participation. The question is raised about the nature of the reflection of the ideas of the era in the lyrics: in particular, the points of intersection of the poetic perception of the world in the poems of the “Green Belt” cycle with the ideas of Russian cosmism are revealed. Observations on the specifics of the poetics of Komarov’s landscape lyrics were carried out: the form of the landscape-ecphrasis, the artistic functions of the landscape detail, color painting, toponymy, panoramic image were revealed; some images-motives (nature-garden, nature-book; motive of the brotherhood of the memory of the earth) is revealed. The unique materials of literary criticism of the second half of the 1940s, associated with the assessment of Komarov’s work are presented in the article.О. N. Alexandrova-OsokinaTsentr nauchnykh i obrazovatelnykh proektovarticlekomarov peter stepanovichliterary regional studiesgeopoeticslandscape and natural history lyricsekphrasis landscapeSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 1, Pp 96-109 (2021)
institution	DOAJ
collection	DOAJ
language	RU
topic	komarov peter stepanovich literary regional studies geopoetics landscape and natural history lyrics ekphrasis landscape Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	komarov peter stepanovich literary regional studies geopoetics landscape and natural history lyrics ekphrasis landscape Slavic languages. Baltic languages. Albanian languages PG1-9665 О. N. Alexandrova-Osokina Theme “Man and Nature” in the Poetry of Peter Komarov
description	The author’s elaboration of the content and poetics of landscape and natural history lyrics of the Far Eastern poet, winner of the Stalin Prize of the third degree P. S. Komarov (1911—1949) is presented. The novelty of the research lies in the fact that the poet’s work has practically not been studied. The relevance of the study is due to the attention of modern literary criticism to the problems of the literary process of the Soviet period, as well as interest in literary and regional studies. The idea is substantiated that the theme “man and nature” was central in the poetry of P. S. Komarov. It is noted that the dominant principle in the disclosure of this topic were the ideas of all-unity and participation. The question is raised about the nature of the reflection of the ideas of the era in the lyrics: in particular, the points of intersection of the poetic perception of the world in the poems of the “Green Belt” cycle with the ideas of Russian cosmism are revealed. Observations on the specifics of the poetics of Komarov’s landscape lyrics were carried out: the form of the landscape-ecphrasis, the artistic functions of the landscape detail, color painting, toponymy, panoramic image were revealed; some images-motives (nature-garden, nature-book; motive of the brotherhood of the memory of the earth) is revealed. The unique materials of literary criticism of the second half of the 1940s, associated with the assessment of Komarov’s work are presented in the article.
format	article
author	О. N. Alexandrova-Osokina
author_facet	О. N. Alexandrova-Osokina
author_sort	О. N. Alexandrova-Osokina
title	Theme “Man and Nature” in the Poetry of Peter Komarov
title_short	Theme “Man and Nature” in the Poetry of Peter Komarov
title_full	Theme “Man and Nature” in the Poetry of Peter Komarov
title_fullStr	Theme “Man and Nature” in the Poetry of Peter Komarov
title_full_unstemmed	Theme “Man and Nature” in the Poetry of Peter Komarov
title_sort	theme “man and nature” in the poetry of peter komarov
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2021
url	https://doaj.org/article/5575272608024fd68e2543d4c18ac3e7
work_keys_str_mv	AT onalexandrovaosokina thememanandnatureinthepoetryofpeterkomarov
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Theme “Man and Nature” in the Poetry of Peter Komarov

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