Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura

Considering the plays’ formal and content structure, and the political and cultural movements of the 60’s and 70’s youth  the counterculture among them  in the North - American context and in the B razilian historical process (including the dictatorship present i...

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Autor principal:	Éwerton Silva de Oliveira
Formato:	article
Lenguaje:	ES PT
Publicado:	Universidade de Brasília 2015
Materias:	brazilian theater north american theater counterculture oduvaldo vianna filho French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/557d9997029d42dcb3e3a950f869b02e
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spelling	oai:doaj.org-article:557d9997029d42dcb3e3a950f869b02e2021-11-11T15:52:08ZRasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura1518-01582316-4018https://doaj.org/article/557d9997029d42dcb3e3a950f869b02e2015-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323141078016https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018Considering the plays’ formal and content structure, and the political and cultural movements of the 60’s and 70’s youth  the counterculture among them  in the North - American context and in the B razilian historical process (including the dictatorship present in Brazil in these decades), this article aims to analyze how the musical called Hair (1967), by the American actors James Rado and Gerome Ragni, and Rasga coração (1974), a play by the Brazil ian playwright Oduvaldo Vianna Filho (Vianinha), represent the presence of the counterculture, with its innovations and contradictions, similarities and differences, in Brazil and in the United States. This representation is made especially by the young ch aracters of these plays, and the different focus Rasga coração and Hair give to this political - cultural movement is also emphasized in the article.Éwerton Silva de OliveiraUniversidade de Brasíliaarticlebrazilian theaternorthamerican theatercountercultureoduvaldo vianna filhoFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 46, Pp 301-325 (2015)
institution	DOAJ
collection	DOAJ
language	ES PT
topic	brazilian theater north american theater counterculture oduvaldo vianna filho French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	brazilian theater north american theater counterculture oduvaldo vianna filho French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Éwerton Silva de Oliveira Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
description	Considering the plays’ formal and content structure, and the political and cultural movements of the 60’s and 70’s youth  the counterculture among them  in the North - American context and in the B razilian historical process (including the dictatorship present in Brazil in these decades), this article aims to analyze how the musical called Hair (1967), by the American actors James Rado and Gerome Ragni, and Rasga coração (1974), a play by the Brazil ian playwright Oduvaldo Vianna Filho (Vianinha), represent the presence of the counterculture, with its innovations and contradictions, similarities and differences, in Brazil and in the United States. This representation is made especially by the young ch aracters of these plays, and the different focus Rasga coração and Hair give to this political - cultural movement is also emphasized in the article.
format	article
author	Éwerton Silva de Oliveira
author_facet	Éwerton Silva de Oliveira
author_sort	Éwerton Silva de Oliveira
title	Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
title_short	Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
title_full	Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
title_fullStr	Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
title_full_unstemmed	Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
title_sort	rasga coração, de vianinha, e hair: aproximação e distanciamento num contexto de contracultura
publisher	Universidade de Brasília
publishDate	2015
url	https://doaj.org/article/557d9997029d42dcb3e3a950f869b02e
work_keys_str_mv	AT ewertonsilvadeoliveira rasgacoracaodevianinhaehairaproximacaoedistanciamentonumcontextodecontracultura
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Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura

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