Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle

The article is devoted to the role of statements with the meaning of conditionality in the creation of the conceptual sphere of a literary work. The relevance of the study is determined by the attention of modern philological science to the essence of the individual author’s concept, as well as the...

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Autor principal:	E. A. Krasnova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2019
Materias:	artistic concept author’s individual concept concept of war statement with meaning of conditionality if conjunction though conjunction functional parts of speech text aspect simonov Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/5590f645057b439bbdcb12d2d628b977
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id	oai:doaj.org-article:5590f645057b439bbdcb12d2d628b977
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spelling	oai:doaj.org-article:5590f645057b439bbdcb12d2d628b9772021-12-02T07:58:07ZStatements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle2225-756X2227-129510.24224/2227-1295-2019-5-90-106https://doaj.org/article/5590f645057b439bbdcb12d2d628b9772019-05-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1146https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the role of statements with the meaning of conditionality in the creation of the conceptual sphere of a literary work. The relevance of the study is determined by the attention of modern philological science to the essence of the individual author’s concept, as well as the growing interest of linguists in the text functions of language units. The material of the study was K. Simonov’s trilogy “The Living and the Dead,” in which syntactic constructions with conjunctions of conditionality group are the dominant linguistic means. It is hypothesized that conjunctions that provide links meaningful for the overall content of the text are actively involved in the construction of key artistic meanings. The components of the artistic concept of WAR, modeled on the basis of statements with conjunctions if and though , are presented. It is shown that constructions with relations of conditionality participate in the formation of conceptual and emotional components of the artistic concept of WAR. The study contributes to the expansion of ideas about the functions of functional parts of speech and helps to present the prospect of their further study in the textual aspect.E. A. KrasnovaTsentr nauchnykh i obrazovatelnykh proektovarticleartistic conceptauthor’s individual conceptconcept of warstatement with meaning of conditionalityif conjunctionthough conjunctionfunctional parts of speechtext aspectsimonovSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 5, Pp 90-106 (2019)
institution	DOAJ
collection	DOAJ
language	RU
topic	artistic concept author’s individual concept concept of war statement with meaning of conditionality if conjunction though conjunction functional parts of speech text aspect simonov Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	artistic concept author’s individual concept concept of war statement with meaning of conditionality if conjunction though conjunction functional parts of speech text aspect simonov Slavic languages. Baltic languages. Albanian languages PG1-9665 E. A. Krasnova Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle
description	The article is devoted to the role of statements with the meaning of conditionality in the creation of the conceptual sphere of a literary work. The relevance of the study is determined by the attention of modern philological science to the essence of the individual author’s concept, as well as the growing interest of linguists in the text functions of language units. The material of the study was K. Simonov’s trilogy “The Living and the Dead,” in which syntactic constructions with conjunctions of conditionality group are the dominant linguistic means. It is hypothesized that conjunctions that provide links meaningful for the overall content of the text are actively involved in the construction of key artistic meanings. The components of the artistic concept of WAR, modeled on the basis of statements with conjunctions if and though , are presented. It is shown that constructions with relations of conditionality participate in the formation of conceptual and emotional components of the artistic concept of WAR. The study contributes to the expansion of ideas about the functions of functional parts of speech and helps to present the prospect of their further study in the textual aspect.
format	article
author	E. A. Krasnova
author_facet	E. A. Krasnova
author_sort	E. A. Krasnova
title	Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle
title_short	Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle
title_full	Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle
title_fullStr	Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle
title_full_unstemmed	Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle
title_sort	statements with meaning of conditionality as means of creating war concept in k. simonov’s idiostyle
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2019
url	https://doaj.org/article/5590f645057b439bbdcb12d2d628b977
work_keys_str_mv	AT eakrasnova statementswithmeaningofconditionalityasmeansofcreatingwarconceptinksimonovsidiostyle
_version_	1718398912301105152

Statements with Meaning of Conditionality as Means of Creating WAR Concept in K. Simonov’s Idiostyle

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