Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art

Inaugurated in 2018, the Museum of Recent Art (MARe) in Bucharest has rapidly become one of the leading contemporary art institutions in Romania. Rivaling state-financed museums, MARe’s approach to exhibiting contemporaneity is dialectical, exchanging the conventional, chronologically determined mus...

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Autor principal: Smaranda Ciubotaru
Formato: article
Lenguaje:EN
FR
Publicado: National Museum of the Romanian Peasant 2021
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Acceso en línea:https://doaj.org/article/55b576aea4464bfcbcf7a69a7c169c31
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spelling oai:doaj.org-article:55b576aea4464bfcbcf7a69a7c169c312021-11-22T13:45:14ZRecent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art1224-62712734-8350https://doaj.org/article/55b576aea4464bfcbcf7a69a7c169c312021-11-01T00:00:00Zhttp://martor.muzeultaranuluiroman.ro/archive/martor-26-2021/2021_06/https://doaj.org/toc/1224-6271https://doaj.org/toc/2734-8350Inaugurated in 2018, the Museum of Recent Art (MARe) in Bucharest has rapidly become one of the leading contemporary art institutions in Romania. Rivaling state-financed museums, MARe’s approach to exhibiting contemporaneity is dialectical, exchanging the conventional, chronologically determined museological method for anachronism. This approach provides a framework through which the perpetual theoretical correspondence between past, present, and future artistic practices is facilitated. Focusing on art that circumvented the official visual discourses of the communist regime and on art that emerged after the Romanian Revolution of 1989, MARe’s novel museological method has, however, been impaired by the museum’s failure to fully account for the country’s totalitarian history. The absence of context, an unethical silence that can be seen as a symptom of Romania’s unresolved tension towards its communist past, underpins both the conception of the museum’s building and that of its permanent collection. Impeding discussions of nationalization, coercive state mechanisms, and the imposition of Socialist Realism, MARe further limits the emergence of art historical narratives by reaffirming the traditional, hierarchical superiority attributed to fine art forms.Smaranda CiubotaruNational Museum of the Romanian Peasantarticlepostsocialismnationalizationmuseologydialectical contemporaneitydecorative artEthnology. Social and cultural anthropologyGN301-674ENFRMartor, Vol 26, Pp 93-113 (2021)
institution DOAJ
collection DOAJ
language EN
FR
topic postsocialism
nationalization
museology
dialectical contemporaneity
decorative art
Ethnology. Social and cultural anthropology
GN301-674
spellingShingle postsocialism
nationalization
museology
dialectical contemporaneity
decorative art
Ethnology. Social and cultural anthropology
GN301-674
Smaranda Ciubotaru
Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art
description Inaugurated in 2018, the Museum of Recent Art (MARe) in Bucharest has rapidly become one of the leading contemporary art institutions in Romania. Rivaling state-financed museums, MARe’s approach to exhibiting contemporaneity is dialectical, exchanging the conventional, chronologically determined museological method for anachronism. This approach provides a framework through which the perpetual theoretical correspondence between past, present, and future artistic practices is facilitated. Focusing on art that circumvented the official visual discourses of the communist regime and on art that emerged after the Romanian Revolution of 1989, MARe’s novel museological method has, however, been impaired by the museum’s failure to fully account for the country’s totalitarian history. The absence of context, an unethical silence that can be seen as a symptom of Romania’s unresolved tension towards its communist past, underpins both the conception of the museum’s building and that of its permanent collection. Impeding discussions of nationalization, coercive state mechanisms, and the imposition of Socialist Realism, MARe further limits the emergence of art historical narratives by reaffirming the traditional, hierarchical superiority attributed to fine art forms.
format article
author Smaranda Ciubotaru
author_facet Smaranda Ciubotaru
author_sort Smaranda Ciubotaru
title Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art
title_short Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art
title_full Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art
title_fullStr Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art
title_full_unstemmed Recent and Radical: Excess, Absence, and Erasure in the Museum of Recent Art
title_sort recent and radical: excess, absence, and erasure in the museum of recent art
publisher National Museum of the Romanian Peasant
publishDate 2021
url https://doaj.org/article/55b576aea4464bfcbcf7a69a7c169c31
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