David Lynch Sprawls

Lasting eighteen hours and featuring umpteen locations, Twin Peaks: The Return spreads out across time and space in a manner rarely seen in David Lynch’s work. In short, it sprawls. This article explores how sprawl might be a useful term through which to assess the series and how Lynch positions spr...

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Autor principal: Richard Martin
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Lenguaje:EN
Publicado: New York City College of Technology 2020
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Acceso en línea:https://doaj.org/article/55c25deef63b44ec9ebe4d7163f3e206
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spelling oai:doaj.org-article:55c25deef63b44ec9ebe4d7163f3e2062021-11-08T21:37:08ZDavid Lynch Sprawls2160-0104https://doaj.org/article/55c25deef63b44ec9ebe4d7163f3e2062020-02-01T00:00:00Zhttps://nanocrit.com/issues/issue15/David-Lynch-Sprawlshttps://doaj.org/toc/2160-0104Lasting eighteen hours and featuring umpteen locations, Twin Peaks: The Return spreads out across time and space in a manner rarely seen in David Lynch’s work. In short, it sprawls. This article explores how sprawl might be a useful term through which to assess the series and how Lynch positions sprawl as a productive mode of thinking, despite the negative associations the term usually evokes. Via the theories of junkspace developed by Rem Koolhaas and junktime coined by Hito Steyerl, the article also attempts to analyze the extraordinary experience of watching The Return.Richard MartinNew York City College of Technologyarticletwin peakssprawljunktimearchitecturegeographyjunkspaceHistory of scholarship and learning. The humanitiesAZ20-999Language and LiteraturePLiterature (General)PN1-6790ENNANO, Iss 15 (2020)
institution DOAJ
collection DOAJ
language EN
topic twin peaks
sprawl
junktime
architecture
geography
junkspace
History of scholarship and learning. The humanities
AZ20-999
Language and Literature
P
Literature (General)
PN1-6790
spellingShingle twin peaks
sprawl
junktime
architecture
geography
junkspace
History of scholarship and learning. The humanities
AZ20-999
Language and Literature
P
Literature (General)
PN1-6790
Richard Martin
David Lynch Sprawls
description Lasting eighteen hours and featuring umpteen locations, Twin Peaks: The Return spreads out across time and space in a manner rarely seen in David Lynch’s work. In short, it sprawls. This article explores how sprawl might be a useful term through which to assess the series and how Lynch positions sprawl as a productive mode of thinking, despite the negative associations the term usually evokes. Via the theories of junkspace developed by Rem Koolhaas and junktime coined by Hito Steyerl, the article also attempts to analyze the extraordinary experience of watching The Return.
format article
author Richard Martin
author_facet Richard Martin
author_sort Richard Martin
title David Lynch Sprawls
title_short David Lynch Sprawls
title_full David Lynch Sprawls
title_fullStr David Lynch Sprawls
title_full_unstemmed David Lynch Sprawls
title_sort david lynch sprawls
publisher New York City College of Technology
publishDate 2020
url https://doaj.org/article/55c25deef63b44ec9ebe4d7163f3e206
work_keys_str_mv AT richardmartin davidlynchsprawls
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