RUSSIA Art Concept as National Concept Variant

The article is devoted to the presentation of the results of the analysis of the concept RUSSIA as a fragment of art discourse and at the same time a fragment of the national picture of the world formed at the turn of the 19th and 20th centuries - a turning point in the history of the state. The spe...

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Autores principales:	L. N. Churilina, D. S. Buzhinskaya
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2019
Materias:	art discourse national self-identity text concept concept verbalizers concept-stereotype concordance Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/55c534736c80491da070d6a084e9853f
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id	oai:doaj.org-article:55c534736c80491da070d6a084e9853f
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spelling	oai:doaj.org-article:55c534736c80491da070d6a084e9853f2021-12-02T07:58:07ZRUSSIA Art Concept as National Concept Variant2225-756X2227-129510.24224/2227-1295-2019-4-114-126https://doaj.org/article/55c534736c80491da070d6a084e9853f2019-04-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1198https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the presentation of the results of the analysis of the concept RUSSIA as a fragment of art discourse and at the same time a fragment of the national picture of the world formed at the turn of the 19th and 20th centuries - a turning point in the history of the state. The specificity of the concept RUSSIA as a concept-stereotype is determined by its direct correlation with the self-identification of representatives of a social group, which allows to qualify it as a national picture of the world dominant. As a source of material for the reconstruction of the concept, the text of Maxim Gorky’s novel “Life of Klim Samgin” is used, in which the author genius materializes the reflection of the Russian intelligentsia as a social layer in the diversity of its representatives. The study focuses on corpus content analysis combined with statistical, contextual, distributive and component analysis techniques. The novel polysubjectness determined by the genre of the epic novel and kaleidoscopic points of view associated with it allowed to imagine the concept model in the form of a matrix, filling of which by lexical material is determined both by individualized ideological position, by particular social group, and by event background. Analysis of the immediate environment of RUS / RUSSIA concept names revealed several semantic areas (slots), entering into a complex system of mutual relations: “power - intelligentsia - people,” “revolution - revolt,” “Europe - West,” “disease” and “money.” The periphery of the conceptual design includes slots “landscape,” “drinking,” “Church / faith.” The system links of the slots are so numerous and multidirectional that it is extremely difficult to distinguish the absolute dominant of the concept and to present its structure as hierarchical.L. N. ChurilinaD. S. BuzhinskayaTsentr nauchnykh i obrazovatelnykh proektovarticleart discoursenational self-identitytext conceptconcept verbalizersconcept-stereotypeconcordanceSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 4, Pp 114-126 (2019)
institution	DOAJ
collection	DOAJ
language	RU
topic	art discourse national self-identity text concept concept verbalizers concept-stereotype concordance Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	art discourse national self-identity text concept concept verbalizers concept-stereotype concordance Slavic languages. Baltic languages. Albanian languages PG1-9665 L. N. Churilina D. S. Buzhinskaya RUSSIA Art Concept as National Concept Variant
description	The article is devoted to the presentation of the results of the analysis of the concept RUSSIA as a fragment of art discourse and at the same time a fragment of the national picture of the world formed at the turn of the 19th and 20th centuries - a turning point in the history of the state. The specificity of the concept RUSSIA as a concept-stereotype is determined by its direct correlation with the self-identification of representatives of a social group, which allows to qualify it as a national picture of the world dominant. As a source of material for the reconstruction of the concept, the text of Maxim Gorky’s novel “Life of Klim Samgin” is used, in which the author genius materializes the reflection of the Russian intelligentsia as a social layer in the diversity of its representatives. The study focuses on corpus content analysis combined with statistical, contextual, distributive and component analysis techniques. The novel polysubjectness determined by the genre of the epic novel and kaleidoscopic points of view associated with it allowed to imagine the concept model in the form of a matrix, filling of which by lexical material is determined both by individualized ideological position, by particular social group, and by event background. Analysis of the immediate environment of RUS / RUSSIA concept names revealed several semantic areas (slots), entering into a complex system of mutual relations: “power - intelligentsia - people,” “revolution - revolt,” “Europe - West,” “disease” and “money.” The periphery of the conceptual design includes slots “landscape,” “drinking,” “Church / faith.” The system links of the slots are so numerous and multidirectional that it is extremely difficult to distinguish the absolute dominant of the concept and to present its structure as hierarchical.
format	article
author	L. N. Churilina D. S. Buzhinskaya
author_facet	L. N. Churilina D. S. Buzhinskaya
author_sort	L. N. Churilina
title	RUSSIA Art Concept as National Concept Variant
title_short	RUSSIA Art Concept as National Concept Variant
title_full	RUSSIA Art Concept as National Concept Variant
title_fullStr	RUSSIA Art Concept as National Concept Variant
title_full_unstemmed	RUSSIA Art Concept as National Concept Variant
title_sort	russia art concept as national concept variant
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2019
url	https://doaj.org/article/55c534736c80491da070d6a084e9853f
work_keys_str_mv	AT lnchurilina russiaartconceptasnationalconceptvariant AT dsbuzhinskaya russiaartconceptasnationalconceptvariant
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RUSSIA Art Concept as National Concept Variant

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