Adirley Queirós et l'historiographie périphérique de Ceilândia
This article is devoted to the study of two feature films by Adirley Queirós, one of the key directors of the revival of film production in the Brazilian suburbs. The analysis focuses on the aesthetic properties of La ville est-elle une ? and White out, Black in that give rise to a particular approa...
Enregistré dans:
Auteur principal: | |
---|---|
Format: | article |
Langue: | EN FR PT |
Publié: |
Centre de Recherches sur les Mondes Américains
2019
|
Sujets: | |
Accès en ligne: | https://doaj.org/article/56eb01c2baa24b58a3fa7fe30d6ba65a |
Tags: |
Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
|
Résumé: | This article is devoted to the study of two feature films by Adirley Queirós, one of the key directors of the revival of film production in the Brazilian suburbs. The analysis focuses on the aesthetic properties of La ville est-elle une ? and White out, Black in that give rise to a particular approach to history, which comes from the periphery and is adapted to its issues. |
---|