Painting Deep Time: Encountering Landforms’ Alterity and Phusis Through Phenomenology and Oil Painting

The practice of oil painting landforms, rocks and sea water in Jervis Inlet, British Columbia (BC) puts me in dialogue with land’s resistant alterity.  By closely attuning to landforms, and by stepping back and blurring my focus at regular intervals while practicing oil painting of landforms, I exp...

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Autor principal: Tanya J. Behrisch
Formato: article
Lenguaje:EN
Publicado: University of Alberta 2021
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Acceso en línea:https://doaj.org/article/57214eb33e914ebeb359de49641ce50e
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