Painting Deep Time: Encountering Landforms’ Alterity and Phusis Through Phenomenology and Oil Painting
The practice of oil painting landforms, rocks and sea water in Jervis Inlet, British Columbia (BC) puts me in dialogue with land’s resistant alterity. By closely attuning to landforms, and by stepping back and blurring my focus at regular intervals while practicing oil painting of landforms, I exp...
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| Format: | article |
| Langue: | EN |
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University of Alberta
2021
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| Accès en ligne: | https://doaj.org/article/57214eb33e914ebeb359de49641ce50e |
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