BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES

The article BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS refers to Bassarabian artists studies in West-European capitals in the fi rst half of the twentieth century and theirs creation, which was carried out far from Bassarabia borders. In this respect, an important role was played by Brussels, Am...

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Autor principal:	Tudor STAVILĂ
Formato:	article
Lenguaje:	EN RO RU
Publicado:	Academy of Sciences of Moldova 2014
Materias:	bassarabian artists the school from paris la grand chaumière the national superior school of decorative arts julian academy ranson academy european painters Arts in general NX1-820 Science Q
Acceso en línea:	https://doaj.org/article/572991199ccb4577963c3a3173fb149a
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spelling	oai:doaj.org-article:572991199ccb4577963c3a3173fb149a2021-11-03T17:23:07ZBASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES1857-0461https://doaj.org/article/572991199ccb4577963c3a3173fb149a2014-03-01T00:00:00Zhttp://www.akademos.asm.md/files/Pictorii%20basarabeni%20si%20scoala%20de%20la%20Paris.pdfhttps://doaj.org/toc/1857-0461The article BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS refers to Bassarabian artists studies in West-European capitals in the fi rst half of the twentieth century and theirs creation, which was carried out far from Bassarabia borders. In this respect, an important role was played by Brussels, Amsterdam, Munich, and especially by Paris, where was established the largest colony of Bassarabian painters. Thus, France claimed the right to consider them as French creative personalities. Among art schools in Paris, were had studied Bassarabian students, a special role played La Grand Chaumière, where are studying Isaac Antcher (1920), Olga Hrschanovskaia (Olby, 1923), Lydia Luzanowsky (1923-1927), Antoine Irisse (1926) and Alexandre Hinkis (1933), who also follows the National Superior School of Decorative Arts, which he graduates in 1939, Zelman Otciacovsky also studies at the National Superior School of Decorative Arts (1923-1926) and at the Ranson Academy (1935), as well here studies Samson Flexor (1924-1926), who continues his studies at La Grand Chaumière. In 1925 at the Julian Academy begins his studies Sasha Moldovan, and then continuing its at La Grand Chaumière. At the Ransson Academy are enrolled as students Numa Patlajean and Pertz Vaxman (1910). Most of Bassarabians are studying at the National Superior School of Decorative Arts in different periods of the years 1920-1930. Among the fi rst established here appears Felix Roitman (1925), Gregoire Michonze (1923), Joseph Bronstein (1924), Elena Barlo (1932-1934), Natalia Brăgalia (1928-1931), Tatiana Senkevici-Bulaviţchi (1929-1932) and others. Tudor STAVILĂAcademy of Sciences of Moldovaarticlebassarabian artiststhe school from parisla grand chaumièrethe national superior school of decorative artsjulian academyranson academyeuropean paintersArts in generalNX1-820ScienceQENRORUAkademos: Revista de Ştiinţă, Inovare, Cultură şi Artă, Vol Nr. 1, Iss 32, Pp 146-152 (2014)
institution	DOAJ
collection	DOAJ
language	EN RO RU
topic	bassarabian artists the school from paris la grand chaumière the national superior school of decorative arts julian academy ranson academy european painters Arts in general NX1-820 Science Q
spellingShingle	bassarabian artists the school from paris la grand chaumière the national superior school of decorative arts julian academy ranson academy european painters Arts in general NX1-820 Science Q Tudor STAVILĂ BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES
description	The article BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS refers to Bassarabian artists studies in West-European capitals in the fi rst half of the twentieth century and theirs creation, which was carried out far from Bassarabia borders. In this respect, an important role was played by Brussels, Amsterdam, Munich, and especially by Paris, where was established the largest colony of Bassarabian painters. Thus, France claimed the right to consider them as French creative personalities. Among art schools in Paris, were had studied Bassarabian students, a special role played La Grand Chaumière, where are studying Isaac Antcher (1920), Olga Hrschanovskaia (Olby, 1923), Lydia Luzanowsky (1923-1927), Antoine Irisse (1926) and Alexandre Hinkis (1933), who also follows the National Superior School of Decorative Arts, which he graduates in 1939, Zelman Otciacovsky also studies at the National Superior School of Decorative Arts (1923-1926) and at the Ranson Academy (1935), as well here studies Samson Flexor (1924-1926), who continues his studies at La Grand Chaumière. In 1925 at the Julian Academy begins his studies Sasha Moldovan, and then continuing its at La Grand Chaumière. At the Ransson Academy are enrolled as students Numa Patlajean and Pertz Vaxman (1910). Most of Bassarabians are studying at the National Superior School of Decorative Arts in different periods of the years 1920-1930. Among the fi rst established here appears Felix Roitman (1925), Gregoire Michonze (1923), Joseph Bronstein (1924), Elena Barlo (1932-1934), Natalia Brăgalia (1928-1931), Tatiana Senkevici-Bulaviţchi (1929-1932) and others.
format	article
author	Tudor STAVILĂ
author_facet	Tudor STAVILĂ
author_sort	Tudor STAVILĂ
title	BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES
title_short	BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES
title_full	BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES
title_fullStr	BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES
title_full_unstemmed	BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES
title_sort	bassarabian painters and the school from paris. preliminary notes
publisher	Academy of Sciences of Moldova
publishDate	2014
url	https://doaj.org/article/572991199ccb4577963c3a3173fb149a
work_keys_str_mv	AT tudorstavila bassarabianpaintersandtheschoolfromparispreliminarynotes
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BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS. PRELIMINARY NOTES

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