Hegemonic Masculinity in Yaşar Kemal’s Demirciler Çarşısı Cinayeti and Yusufçuk Yusuf Novels /Yaşar Kemal’in Demirciler Çarşısı Cinayeti ve Yusufçuk Yusuf Romanlarında Hegemonik Erkeklik
In recent years, with the widespread use of gender approaches in the literature of social sciences, the phenomenon of masculinity has become one of the central issues of the disciplines of sociology and cultural anthropology. In addition, in studies within the sociology of literature and literatu...
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| Autores principales: | , |
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| Formato: | article |
| Lenguaje: | EN TR |
| Publicado: |
Cyprus International University
2021
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/5746688d96fd4cadbe700889e1232556 |
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| Sumario: | In recent years, with the widespread use of gender approaches in the
literature of social sciences, the phenomenon of masculinity has become one
of the central issues of the disciplines of sociology and cultural anthropology. In
addition, in studies within the sociology of literature and literature, analyzes have
gained momentum via conceptualizations such as patriarchy, gender inequality,
masculine domination, and masculinity. Considering that novels, which can work
on social reality around cultural, political and economic conditions, are a serious
object of study for the sociology of literature, it can be understood why these
conceptualizations come to the fore front. Eventually, literature does not correspond
to an autonomous field outside of social history, and the reality of masculinity is
not external to this history. Yaşar Kemal, one of the important representatives of
modern Turkish literature, presents the social and cultural structure and relations of
production of the period to the reader in his own unique style. The phenomenon of
masculinity emerges as the junction point of socio-economic, cultural and political
structure and human relations, which it analyzes especially through the Çukurova
region. From this point of view, in this study, his novel Akçasazın Ağaları, in which
consists of two volumes as Demirciler Çarşısı Cinayeti and Yusufçuk Yusuf, opens
to a discussion within the framework of hegemonic masculinity. |
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