Variazioni Simenon. Appunti su tre adattamenti cinematografici

This article examines three cinematic adaptations – Julien Duvivier’s “Panique” (1946), Ladislao Vajda’s “Barrio / Viela, rua sem sol” (1947), and Patrice Leconte’s “Monsieur Hire” (1933), all inspired by Georges Simenon’s “Les fiançailles de Monsieur Hire” (1933). They are loose adaptations, which...

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Autores principales:	Valerio Carando, Rosa Gutiérrez Herranz
Formato:	article
Lenguaje:	EN ES FR IT
Publicado:	Prof. Rinaldo Rinaldi 2021
Materias:	film remake Language and Literature P
Acceso en línea:	https://doaj.org/article/57887447e161455aa5b6aabb1286a56e
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id	oai:doaj.org-article:57887447e161455aa5b6aabb1286a56e
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spelling	oai:doaj.org-article:57887447e161455aa5b6aabb1286a56e2021-11-23T08:57:17ZVariazioni Simenon. Appunti su tre adattamenti cinematografici2039-0114https://doaj.org/article/57887447e161455aa5b6aabb1286a56e2021-12-01T00:00:00Zhttp://www.parolerubate.unipr.it/fascicolo24_pdf/F24_6_carando_simenon.pdfhttps://doaj.org/toc/2039-0114This article examines three cinematic adaptations – Julien Duvivier’s “Panique” (1946), Ladislao Vajda’s “Barrio / Viela, rua sem sol” (1947), and Patrice Leconte’s “Monsieur Hire” (1933), all inspired by Georges Simenon’s “Les fiançailles de Monsieur Hire” (1933). They are loose adaptations, which search for – rather than discarding – the possibility of a variation, a deviation, an enrichment in their relationship with the source.Valerio CarandoRosa Gutiérrez HerranzProf. Rinaldo RinaldiarticlefilmremakeLanguage and LiteraturePENESFRITParole Rubate : Rivista Internazionale di Studi sulla Citazione, Vol 12, Iss 24, Pp 75-88 (2021)
institution	DOAJ
collection	DOAJ
language	EN ES FR IT
topic	film remake Language and Literature P
spellingShingle	film remake Language and Literature P Valerio Carando Rosa Gutiérrez Herranz Variazioni Simenon. Appunti su tre adattamenti cinematografici
description	This article examines three cinematic adaptations – Julien Duvivier’s “Panique” (1946), Ladislao Vajda’s “Barrio / Viela, rua sem sol” (1947), and Patrice Leconte’s “Monsieur Hire” (1933), all inspired by Georges Simenon’s “Les fiançailles de Monsieur Hire” (1933). They are loose adaptations, which search for – rather than discarding – the possibility of a variation, a deviation, an enrichment in their relationship with the source.
format	article
author	Valerio Carando Rosa Gutiérrez Herranz
author_facet	Valerio Carando Rosa Gutiérrez Herranz
author_sort	Valerio Carando
title	Variazioni Simenon. Appunti su tre adattamenti cinematografici
title_short	Variazioni Simenon. Appunti su tre adattamenti cinematografici
title_full	Variazioni Simenon. Appunti su tre adattamenti cinematografici
title_fullStr	Variazioni Simenon. Appunti su tre adattamenti cinematografici
title_full_unstemmed	Variazioni Simenon. Appunti su tre adattamenti cinematografici
title_sort	variazioni simenon. appunti su tre adattamenti cinematografici
publisher	Prof. Rinaldo Rinaldi
publishDate	2021
url	https://doaj.org/article/57887447e161455aa5b6aabb1286a56e
work_keys_str_mv	AT valeriocarando variazionisimenonappuntisutreadattamenticinematografici AT rosagutierrezherranz variazionisimenonappuntisutreadattamenticinematografici
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Variazioni Simenon. Appunti su tre adattamenti cinematografici

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