„Innen“ und „Außen“ bei Herondas

The presentation of space in Herodas’ poems has received frequent attention in Classical scholarship. It is relevant for the vexed question of the mimes’ performance, but also for the characterization of the people who populate these poems. This article shows that the transition between public and p...

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Autor principal: Anja Bettenworth
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Publicado: ENS Éditions 2021
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Acceso en línea:https://doaj.org/article/57c37dbd5049417584154e2b85f2edce
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spelling oai:doaj.org-article:57c37dbd5049417584154e2b85f2edce2021-12-02T09:54:34Z„Innen“ und „Außen“ bei Herondas1775-427510.4000/aitia.6252https://doaj.org/article/57c37dbd5049417584154e2b85f2edce2021-08-01T00:00:00Zhttp://journals.openedition.org/aitia/6252https://doaj.org/toc/1775-4275The presentation of space in Herodas’ poems has received frequent attention in Classical scholarship. It is relevant for the vexed question of the mimes’ performance, but also for the characterization of the people who populate these poems. This article shows that the transition between public and private space, between an interior room and the world beyond is a relevant factor not only in the first Mimiamb (where it has occasionally been noted), but in all of Herodas’ mimes. Spatial boundaries are skillfully and consistently employed to support the portrait of the characters. This technique would be particularly effective in a performance with few props or even when recited without a mimic presentation on stage.Anja BettenworthENS ÉditionsarticleHerodasspacecharacterizationmimehellenistic poetryHistory of GreeceDF10-951ENFRITAitia : Regards sur la Culture Hellénistique au XXIe Siècle, Vol 11, Iss 1 (2021)
institution DOAJ
collection DOAJ
language EN
FR
IT
topic Herodas
space
characterization
mime
hellenistic poetry
History of Greece
DF10-951
spellingShingle Herodas
space
characterization
mime
hellenistic poetry
History of Greece
DF10-951
Anja Bettenworth
„Innen“ und „Außen“ bei Herondas
description The presentation of space in Herodas’ poems has received frequent attention in Classical scholarship. It is relevant for the vexed question of the mimes’ performance, but also for the characterization of the people who populate these poems. This article shows that the transition between public and private space, between an interior room and the world beyond is a relevant factor not only in the first Mimiamb (where it has occasionally been noted), but in all of Herodas’ mimes. Spatial boundaries are skillfully and consistently employed to support the portrait of the characters. This technique would be particularly effective in a performance with few props or even when recited without a mimic presentation on stage.
format article
author Anja Bettenworth
author_facet Anja Bettenworth
author_sort Anja Bettenworth
title „Innen“ und „Außen“ bei Herondas
title_short „Innen“ und „Außen“ bei Herondas
title_full „Innen“ und „Außen“ bei Herondas
title_fullStr „Innen“ und „Außen“ bei Herondas
title_full_unstemmed „Innen“ und „Außen“ bei Herondas
title_sort „innen“ und „außen“ bei herondas
publisher ENS Éditions
publishDate 2021
url https://doaj.org/article/57c37dbd5049417584154e2b85f2edce
work_keys_str_mv AT anjabettenworth innenundaußenbeiherondas
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