„Innen“ und „Außen“ bei Herondas
The presentation of space in Herodas’ poems has received frequent attention in Classical scholarship. It is relevant for the vexed question of the mimes’ performance, but also for the characterization of the people who populate these poems. This article shows that the transition between public and p...
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ENS Éditions
2021
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oai:doaj.org-article:57c37dbd5049417584154e2b85f2edce2021-12-02T09:54:34Z„Innen“ und „Außen“ bei Herondas1775-427510.4000/aitia.6252https://doaj.org/article/57c37dbd5049417584154e2b85f2edce2021-08-01T00:00:00Zhttp://journals.openedition.org/aitia/6252https://doaj.org/toc/1775-4275The presentation of space in Herodas’ poems has received frequent attention in Classical scholarship. It is relevant for the vexed question of the mimes’ performance, but also for the characterization of the people who populate these poems. This article shows that the transition between public and private space, between an interior room and the world beyond is a relevant factor not only in the first Mimiamb (where it has occasionally been noted), but in all of Herodas’ mimes. Spatial boundaries are skillfully and consistently employed to support the portrait of the characters. This technique would be particularly effective in a performance with few props or even when recited without a mimic presentation on stage.Anja BettenworthENS ÉditionsarticleHerodasspacecharacterizationmimehellenistic poetryHistory of GreeceDF10-951ENFRITAitia : Regards sur la Culture Hellénistique au XXIe Siècle, Vol 11, Iss 1 (2021) |
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Herodas space characterization mime hellenistic poetry History of Greece DF10-951 |
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Herodas space characterization mime hellenistic poetry History of Greece DF10-951 Anja Bettenworth „Innen“ und „Außen“ bei Herondas |
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The presentation of space in Herodas’ poems has received frequent attention in Classical scholarship. It is relevant for the vexed question of the mimes’ performance, but also for the characterization of the people who populate these poems. This article shows that the transition between public and private space, between an interior room and the world beyond is a relevant factor not only in the first Mimiamb (where it has occasionally been noted), but in all of Herodas’ mimes. Spatial boundaries are skillfully and consistently employed to support the portrait of the characters. This technique would be particularly effective in a performance with few props or even when recited without a mimic presentation on stage. |
format |
article |
author |
Anja Bettenworth |
author_facet |
Anja Bettenworth |
author_sort |
Anja Bettenworth |
title |
„Innen“ und „Außen“ bei Herondas |
title_short |
„Innen“ und „Außen“ bei Herondas |
title_full |
„Innen“ und „Außen“ bei Herondas |
title_fullStr |
„Innen“ und „Außen“ bei Herondas |
title_full_unstemmed |
„Innen“ und „Außen“ bei Herondas |
title_sort |
„innen“ und „außen“ bei herondas |
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ENS Éditions |
publishDate |
2021 |
url |
https://doaj.org/article/57c37dbd5049417584154e2b85f2edce |
work_keys_str_mv |
AT anjabettenworth innenundaußenbeiherondas |
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1718397945781420032 |