Rule Britannia, Brexit and Cornish Identity
This article returns Rule Britannia to its own political, geographical and biographical context at a time when Daphne Du Maurier’s last novel has achieved a kind of afterlife in post-2016 Brexit referendum discourse. Vanishing Cornwall (1967) and The House on the Strand (1969) drew on visions of the...
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Maison de la Recherche en Sciences Humaines
2021
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oai:doaj.org-article:57e57a746fa342f9947076c6d5ca4eb32021-12-02T09:54:42ZRule Britannia, Brexit and Cornish Identity1762-615310.4000/lisa.13794https://doaj.org/article/57e57a746fa342f9947076c6d5ca4eb32021-11-01T00:00:00Zhttp://journals.openedition.org/lisa/13794https://doaj.org/toc/1762-6153This article returns Rule Britannia to its own political, geographical and biographical context at a time when Daphne Du Maurier’s last novel has achieved a kind of afterlife in post-2016 Brexit referendum discourse. Vanishing Cornwall (1967) and The House on the Strand (1969) drew on visions of the past in a decade when the growing tourist industry was exploiting historical representations of the peninsula, but Rule Britannia (1972) was a new departure, marking a reorientation of Du Maurier’s relationship to contemporary Cornwall. The decision to take Britain into the European Common Market and the rise of Celtic nationalism had a clear bearing on the book. So too did Daphne’s move from Menabilly to Kilmarth, her personal relationship to Cornish people, and her continuing need for Cornwall as she faced her retirement from writing fiction.Ella WestlandMaison de la Recherche en Sciences Humainesarticledu Maurier DaphneRule BritanniaBrexitCornwallCeltic nationalismCornish identitySocial SciencesHENFRRevue LISA, Vol 19 (2021) |
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DOAJ |
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EN FR |
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du Maurier Daphne Rule Britannia Brexit Cornwall Celtic nationalism Cornish identity Social Sciences H |
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du Maurier Daphne Rule Britannia Brexit Cornwall Celtic nationalism Cornish identity Social Sciences H Ella Westland Rule Britannia, Brexit and Cornish Identity |
description |
This article returns Rule Britannia to its own political, geographical and biographical context at a time when Daphne Du Maurier’s last novel has achieved a kind of afterlife in post-2016 Brexit referendum discourse. Vanishing Cornwall (1967) and The House on the Strand (1969) drew on visions of the past in a decade when the growing tourist industry was exploiting historical representations of the peninsula, but Rule Britannia (1972) was a new departure, marking a reorientation of Du Maurier’s relationship to contemporary Cornwall. The decision to take Britain into the European Common Market and the rise of Celtic nationalism had a clear bearing on the book. So too did Daphne’s move from Menabilly to Kilmarth, her personal relationship to Cornish people, and her continuing need for Cornwall as she faced her retirement from writing fiction. |
format |
article |
author |
Ella Westland |
author_facet |
Ella Westland |
author_sort |
Ella Westland |
title |
Rule Britannia, Brexit and Cornish Identity |
title_short |
Rule Britannia, Brexit and Cornish Identity |
title_full |
Rule Britannia, Brexit and Cornish Identity |
title_fullStr |
Rule Britannia, Brexit and Cornish Identity |
title_full_unstemmed |
Rule Britannia, Brexit and Cornish Identity |
title_sort |
rule britannia, brexit and cornish identity |
publisher |
Maison de la Recherche en Sciences Humaines |
publishDate |
2021 |
url |
https://doaj.org/article/57e57a746fa342f9947076c6d5ca4eb3 |
work_keys_str_mv |
AT ellawestland rulebritanniabrexitandcornishidentity |
_version_ |
1718397945965969408 |