Subtilitatea formelor discursive în eseul Grădina de piatră de Nikos Kazantzakis
This article presents the proteicity of some forms of discourse which combines aesthetics and representations, referring to mentalities and even ideology, in a genuine kind of metatext. Being a pretext for his atipic literature with philosophical insertions, Nikos Kazantzakis’ voyages in China an...
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| Formato: | article |
| Lenguaje: | DE EN ES FR RO |
| Publicado: |
Editura Universităţii Aurel Vlaicu Arad
2021
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/58ecb812a0594428b4c9778b85ed7375 |
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| Sumario: | This article presents the proteicity of some forms of discourse which
combines aesthetics and representations, referring to mentalities and even
ideology, in a genuine kind of metatext. Being a pretext for his atipic literature
with philosophical insertions, Nikos Kazantzakis’ voyages in China and Japan
create the appropriate atmosphere for a temperate fiction and a hyperbolic
reality. From this perspective a realistic allegory about the eternal China and the
fragile Japan, two sources of chaos and wisdom in the same time, arises.
Prefiguring some patterns of a sui generis postmodernism, this writing includes
several topical ideas like the universality of a unique religion, the intercultural
changes and even the idea of a mankind which recovers the signs of the
humanity. |
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