Jonathan Lethem's Genre Evolutions
The ideas I expound here proceed from an initial, rather broad observation that all of Jonathan Lethem's novels subvert established fictional genres in some way. For example, The Fortress of Solitudedisrupts a semi-autobiographical coming-of-age narrative with elements of fantasy and comic book...
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University of Edinburgh
2006
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oai:doaj.org-article:58f33792dea64b308f561e80d7178b6f2021-11-23T09:46:01ZJonathan Lethem's Genre Evolutions1749-9771https://doaj.org/article/58f33792dea64b308f561e80d7178b6f2006-08-01T00:00:00Zhttp://www.forumjournal.org/article/view/566https://doaj.org/toc/1749-9771The ideas I expound here proceed from an initial, rather broad observation that all of Jonathan Lethem's novels subvert established fictional genres in some way. For example, The Fortress of Solitudedisrupts a semi-autobiographical coming-of-age narrative with elements of fantasy and comic book super-heroics. As She Climbed Across the Table is billed as a "campus comedy," yet allows science fiction to infiltrate its witty satire on academic life. Girl in Landscape is a western set in space. Now, it can of course be argued that any genre is necessarily an unstable category, a somewhat volatile mixture of repeated, conventional elements and the variations that provide an individual text with a sense of identity. Scholars such as Margaret Cohen, in "Traveling Genre," have argued just this, and I take it as axiomatic throughout.James PeacockUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum (2006) |
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Fine Arts N Language and Literature P James Peacock Jonathan Lethem's Genre Evolutions |
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The ideas I expound here proceed from an initial, rather broad observation that all of Jonathan Lethem's novels subvert established fictional genres in some way. For example, The Fortress of Solitudedisrupts a semi-autobiographical coming-of-age narrative with elements of fantasy and comic book super-heroics. As She Climbed Across the Table is billed as a "campus comedy," yet allows science fiction to infiltrate its witty satire on academic life. Girl in Landscape is a western set in space. Now, it can of course be argued that any genre is necessarily an unstable category, a somewhat volatile mixture of repeated, conventional elements and the variations that provide an individual text with a sense of identity. Scholars such as Margaret Cohen, in "Traveling Genre," have argued just this, and I take it as axiomatic throughout. |
format |
article |
author |
James Peacock |
author_facet |
James Peacock |
author_sort |
James Peacock |
title |
Jonathan Lethem's Genre Evolutions |
title_short |
Jonathan Lethem's Genre Evolutions |
title_full |
Jonathan Lethem's Genre Evolutions |
title_fullStr |
Jonathan Lethem's Genre Evolutions |
title_full_unstemmed |
Jonathan Lethem's Genre Evolutions |
title_sort |
jonathan lethem's genre evolutions |
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University of Edinburgh |
publishDate |
2006 |
url |
https://doaj.org/article/58f33792dea64b308f561e80d7178b6f |
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AT jamespeacock jonathanlethemsgenreevolutions |
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