“Moscow” as Ideal Topos in Prose by Apollon Grigoryev

The image of Moscow as the Arcadia is considered in the early prose and memoirs by Apollon Grigoryev. The relevance of this work lies in the fact that the image of Arcadia in Apollon Grigoryev’s prose did not become a subject of study of scholars, while it is undoubtedly unique: the writer moved Ark...

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Autor principal:	A. O. Seredina
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2017
Materias:	apollon grigoryev memoirs arcadia ideal topos pochvennichestvo romanticism realism Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/58f8270e4a2f428181cb87d7bf64c872
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id	oai:doaj.org-article:58f8270e4a2f428181cb87d7bf64c872
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spelling	oai:doaj.org-article:58f8270e4a2f428181cb87d7bf64c8722021-12-02T07:58:02Z“Moscow” as Ideal Topos in Prose by Apollon Grigoryev2225-756X2227-129510.24224/2227-1295-2017-11-264-284https://doaj.org/article/58f8270e4a2f428181cb87d7bf64c8722017-11-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/574https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The image of Moscow as the Arcadia is considered in the early prose and memoirs by Apollon Grigoryev. The relevance of this work lies in the fact that the image of Arcadia in Apollon Grigoryev’s prose did not become a subject of study of scholars, while it is undoubtedly unique: the writer moved Arkadia from rural space to urban. It is shown that the description of Zamoskvorechye as ideal space Grigoryev used images of the old house and garden, typical for manor of Arcadia, located usually in rural areas. In accordance with Grigoryev’s own classification in his memoirs there are “generic” and “dreamy” Arcadia, indicating the elements of an ideal topos, which can be found in early prose. Special attention is paid to the analysis of the “dreamy” Arcadia, which acquires a double dimension: personal, biographical, and ideological associated with pochvennichestvo beliefs of the writer. It is proved that Grigoryev’s aim was to present Zamoskvorechye, and with it the whole Moscow as “the Russian soil.” This conclusion the author makes based on the fact that Grigoryev at the level of poetics appeals to the categories central to pochvennichestvo. In the image of Arcadia there is also convergence of romantic and realist poetics.A. O. SeredinaTsentr nauchnykh i obrazovatelnykh proektovarticleapollon grigoryevmemoirsarcadiaideal topospochvennichestvoromanticismrealismSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 11, Pp 264-284 (2017)
institution	DOAJ
collection	DOAJ
language	RU
topic	apollon grigoryev memoirs arcadia ideal topos pochvennichestvo romanticism realism Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	apollon grigoryev memoirs arcadia ideal topos pochvennichestvo romanticism realism Slavic languages. Baltic languages. Albanian languages PG1-9665 A. O. Seredina “Moscow” as Ideal Topos in Prose by Apollon Grigoryev
description	The image of Moscow as the Arcadia is considered in the early prose and memoirs by Apollon Grigoryev. The relevance of this work lies in the fact that the image of Arcadia in Apollon Grigoryev’s prose did not become a subject of study of scholars, while it is undoubtedly unique: the writer moved Arkadia from rural space to urban. It is shown that the description of Zamoskvorechye as ideal space Grigoryev used images of the old house and garden, typical for manor of Arcadia, located usually in rural areas. In accordance with Grigoryev’s own classification in his memoirs there are “generic” and “dreamy” Arcadia, indicating the elements of an ideal topos, which can be found in early prose. Special attention is paid to the analysis of the “dreamy” Arcadia, which acquires a double dimension: personal, biographical, and ideological associated with pochvennichestvo beliefs of the writer. It is proved that Grigoryev’s aim was to present Zamoskvorechye, and with it the whole Moscow as “the Russian soil.” This conclusion the author makes based on the fact that Grigoryev at the level of poetics appeals to the categories central to pochvennichestvo. In the image of Arcadia there is also convergence of romantic and realist poetics.
format	article
author	A. O. Seredina
author_facet	A. O. Seredina
author_sort	A. O. Seredina
title	“Moscow” as Ideal Topos in Prose by Apollon Grigoryev
title_short	“Moscow” as Ideal Topos in Prose by Apollon Grigoryev
title_full	“Moscow” as Ideal Topos in Prose by Apollon Grigoryev
title_fullStr	“Moscow” as Ideal Topos in Prose by Apollon Grigoryev
title_full_unstemmed	“Moscow” as Ideal Topos in Prose by Apollon Grigoryev
title_sort	“moscow” as ideal topos in prose by apollon grigoryev
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2017
url	https://doaj.org/article/58f8270e4a2f428181cb87d7bf64c872
work_keys_str_mv	AT aoseredina moscowasidealtoposinprosebyapollongrigoryev
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“Moscow” as Ideal Topos in Prose by Apollon Grigoryev

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