Jalons pour une mise en visibilité de la sexualité dans Triptyque de Claude Simon : discursivité, voies de fait et dispositifs
Articulated around the visibility of sexuality, this argument deals with the examination of desire and the representation of sex in cinema in Claude Simon’s Triptych under the couples to see / know and to veil / unveil, that is to say a desire of exactness and knowledge by an effort of total clarity...
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| Formato: | article |
| Lenguaje: | FR |
| Publicado: |
OpenEdition
2019
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/593b55311ec146bb8b3d64096ddc121b |
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| Sumario: | Articulated around the visibility of sexuality, this argument deals with the examination of desire and the representation of sex in cinema in Claude Simon’s Triptych under the couples to see / know and to veil / unveil, that is to say a desire of exactness and knowledge by an effort of total clarity or, on the contrary, by the refusal of any shadow to the account of pure transparency and which engages a discourse of Triptych from the ob-stage to the scene. This immerses the reader in a sort of voyeurism at the heart of a fictionality worked by dolorism. Based on the mimetic illusion, this discursive strategy put in place is supposed to give a true representation of sex and sexuality. Finally showing its own functioning, Triptych marks, in that it brings to light "unbelief with regard to meta-narratives". |
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