The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi

Since ancient times, the concept of ethos has been a distinguished part of cultural heritage, living in various spheres of social, cultural, intellectual and religious life. During the Renaissance, the encounter of rhetorical categories and Christian doctrine opened the space for the manifestation o...

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Autor principal:	Belić Senka
Formato:	article
Lenguaje:	EN SR
Publicado:	Akademija umetnosti Univerziteta u Novom Sadu 2021
Materias:	ethos hermogenes of tarsus mariology claudio monteverdi first practice Arts in general NX1-820
Acceso en línea:	https://doaj.org/article/59d1625e4d814d76aa551700d284c863
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spelling	oai:doaj.org-article:59d1625e4d814d76aa551700d284c8632021-12-05T21:40:03ZThe ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi2334-86662560-310810.5937/ZbAkU2109174Bhttps://doaj.org/article/59d1625e4d814d76aa551700d284c8632021-01-01T00:00:00Zhttps://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2021/2334-86662109174B.pdfhttps://doaj.org/toc/2334-8666https://doaj.org/toc/2560-3108Since ancient times, the concept of ethos has been a distinguished part of cultural heritage, living in various spheres of social, cultural, intellectual and religious life. During the Renaissance, the encounter of rhetorical categories and Christian doctrine opened the space for the manifestation of ethos in sacred music. Ethos is important as a rhetorical category, therefore, as a way to achieve persuasiveness, in which the theory of ethos of the Greek rhetorician Hermogenes of Tarsus will be consulted. Following this theory, which was also known in the Renaissance, a series of counterpoint methods will take form, which may indicate the manifestation of certain subcategories of ethos in music. Having in mind Hermogenes' concept of ethos on the one hand, and the significance of ethos in the Christian figure of Mary on the other, this paper examines a chain of manifestations and, given Hermogenes' subcategories, offers an in-depth reading of the text and music in the motet from the end of the 16th century. It is an early work of Claudio Monteverdi on the words of the Ave Maria prayer, which, according to its religious function and meaning, represents not only a concise appeal to the ethos of believers, but also the ethical foundation of Marian devotions.Belić SenkaAkademija umetnosti Univerziteta u Novom Saduarticleethoshermogenes of tarsusmariologyclaudio monteverdifirst practiceArts in generalNX1-820ENSRZbornik Radova Akademije Umetnosti, Vol 2021, Iss 9, Pp 174-186 (2021)
institution	DOAJ
collection	DOAJ
language	EN SR
topic	ethos hermogenes of tarsus mariology claudio monteverdi first practice Arts in general NX1-820
spellingShingle	ethos hermogenes of tarsus mariology claudio monteverdi first practice Arts in general NX1-820 Belić Senka The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi
description	Since ancient times, the concept of ethos has been a distinguished part of cultural heritage, living in various spheres of social, cultural, intellectual and religious life. During the Renaissance, the encounter of rhetorical categories and Christian doctrine opened the space for the manifestation of ethos in sacred music. Ethos is important as a rhetorical category, therefore, as a way to achieve persuasiveness, in which the theory of ethos of the Greek rhetorician Hermogenes of Tarsus will be consulted. Following this theory, which was also known in the Renaissance, a series of counterpoint methods will take form, which may indicate the manifestation of certain subcategories of ethos in music. Having in mind Hermogenes' concept of ethos on the one hand, and the significance of ethos in the Christian figure of Mary on the other, this paper examines a chain of manifestations and, given Hermogenes' subcategories, offers an in-depth reading of the text and music in the motet from the end of the 16th century. It is an early work of Claudio Monteverdi on the words of the Ave Maria prayer, which, according to its religious function and meaning, represents not only a concise appeal to the ethos of believers, but also the ethical foundation of Marian devotions.
format	article
author	Belić Senka
author_facet	Belić Senka
author_sort	Belić Senka
title	The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi
title_short	The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi
title_full	The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi
title_fullStr	The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi
title_full_unstemmed	The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi
title_sort	ethical power of music in the 'ave maria' motet by claudio monteverdi
publisher	Akademija umetnosti Univerziteta u Novom Sadu
publishDate	2021
url	https://doaj.org/article/59d1625e4d814d76aa551700d284c863
work_keys_str_mv	AT belicsenka theethicalpowerofmusicintheavemariamotetbyclaudiomonteverdi AT belicsenka ethicalpowerofmusicintheavemariamotetbyclaudiomonteverdi
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The ethical power of music in the 'Ave Maria' motet by Claudio Monteverdi

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