Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own rea...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | article |
| Lenguaje: | EN FR PT |
| Publicado: |
Centre de Recherches sur les Mondes Américains
2018
|
| Materias: | |
| Acceso en línea: | https://doaj.org/article/5a1665469b2f4be79a811a76200a3469 |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| Sumario: | Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own reality. A reality that she composes among ancient texts, codex and archeological studies which shows a vision nurtured on Maya culture in which the tree of life, for the well-being of society, takes roots in the sacrifice of the human being. |
|---|