Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own rea...
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Centre de Recherches sur les Mondes Américains
2018
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oai:doaj.org-article:5a1665469b2f4be79a811a76200a34692021-12-02T10:30:25ZLe Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya1626-025210.4000/nuevomundo.72049https://doaj.org/article/5a1665469b2f4be79a811a76200a34692018-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/72049https://doaj.org/toc/1626-0252Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own reality. A reality that she composes among ancient texts, codex and archeological studies which shows a vision nurtured on Maya culture in which the tree of life, for the well-being of society, takes roots in the sacrifice of the human being.Charlie DamourCentre de Recherches sur les Mondes AméricainsarticleKahlo (Frida)Burbank (Luther)surrealismmaya cultureTree of lifeAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2018) |
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Kahlo (Frida) Burbank (Luther) surrealism maya culture Tree of life Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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Kahlo (Frida) Burbank (Luther) surrealism maya culture Tree of life Anthropology GN1-890 Latin America. Spanish America F1201-3799 Charlie Damour Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya |
description |
Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own reality. A reality that she composes among ancient texts, codex and archeological studies which shows a vision nurtured on Maya culture in which the tree of life, for the well-being of society, takes roots in the sacrifice of the human being. |
format |
article |
author |
Charlie Damour |
author_facet |
Charlie Damour |
author_sort |
Charlie Damour |
title |
Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya |
title_short |
Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya |
title_full |
Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya |
title_fullStr |
Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya |
title_full_unstemmed |
Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya |
title_sort |
le portrait de luther burbank de frida kahlo et l’arbre de vie maya |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2018 |
url |
https://doaj.org/article/5a1665469b2f4be79a811a76200a3469 |
work_keys_str_mv |
AT charliedamour leportraitdelutherburbankdefridakahloetlarbredeviemaya |
_version_ |
1718397109595537408 |