Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya

Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own rea...

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Autor principal: Charlie Damour
Formato: article
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Publicado: Centre de Recherches sur les Mondes Américains 2018
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Acceso en línea:https://doaj.org/article/5a1665469b2f4be79a811a76200a3469
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spelling oai:doaj.org-article:5a1665469b2f4be79a811a76200a34692021-12-02T10:30:25ZLe Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya1626-025210.4000/nuevomundo.72049https://doaj.org/article/5a1665469b2f4be79a811a76200a34692018-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/72049https://doaj.org/toc/1626-0252Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own reality. A reality that she composes among ancient texts, codex and archeological studies which shows a vision nurtured on Maya culture in which the tree of life, for the well-being of society, takes roots in the sacrifice of the human being.Charlie DamourCentre de Recherches sur les Mondes AméricainsarticleKahlo (Frida)Burbank (Luther)surrealismmaya cultureTree of lifeAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2018)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic Kahlo (Frida)
Burbank (Luther)
surrealism
maya culture
Tree of life
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle Kahlo (Frida)
Burbank (Luther)
surrealism
maya culture
Tree of life
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Charlie Damour
Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
description Through the portrayal of the geneticist and biologist Luther Burbank (1931), Frida Kahlo’s fear of death fades away in a regenerative panvitalism. While some critics saw in the painting one of the first occurrences of surrealism in the Americas, the artist herself denied it, appealing to her own reality. A reality that she composes among ancient texts, codex and archeological studies which shows a vision nurtured on Maya culture in which the tree of life, for the well-being of society, takes roots in the sacrifice of the human being.
format article
author Charlie Damour
author_facet Charlie Damour
author_sort Charlie Damour
title Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
title_short Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
title_full Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
title_fullStr Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
title_full_unstemmed Le Portrait de Luther Burbank de Frida Kahlo et l’arbre de vie maya
title_sort le portrait de luther burbank de frida kahlo et l’arbre de vie maya
publisher Centre de Recherches sur les Mondes Américains
publishDate 2018
url https://doaj.org/article/5a1665469b2f4be79a811a76200a3469
work_keys_str_mv AT charliedamour leportraitdelutherburbankdefridakahloetlarbredeviemaya
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